The Frolicking Calf Fresco Fragment

Materials For Calf
Materials For Calf

In among my image sources, I found a really joyful image of a calf bounding through vegetation, kicking up its heels. I decided it would be fun to do another felted piece. Like the Two Princesses, there will be stitchery, too, but it’s a change of pace and scale compared to Akhenaten, and I try to have more than one project on the go so that I can think about tricky bits of one while doing easy bits of another…

Hexagonal Net
Hexagonal Net

When I first bought my embellisher, the lady demonstrating them told me about using hexagonal net to control pieces of felt and wool while running them under the embellisher. So I bought several yards of cheap hexagonal net, and I’ve found it very useful indeed. It doesn’t get felted in, or at least, not to the extent it can’t be picked out with tweezers, and you can see through it to what you’re working on. So I begin by laying out the pieces I want, hand-needlefelt it roughly in place, and then lay the net over the top and run the embellisher in little moving circles to attach the layers properly.

Midway Stage
Midway Stage

Once the initial felting has been done, I can start adding stitchery. In this case, I’ve stitched a dark line down one side of each of the stems, and twisted chain down the edges of the lilac flower. I wanted a slightly ruffled effect to the mouth of the flower, so I’ve hand-needlefelted some detwisted yarn into place. I’m not quite sure that I’m pleased with it as it stands. Still, more to do!

The pink flower is still entirely un-detailled. I don’t want to use the same stitches and processes for those, so there’s more thinking to come…

The bird’s wings

False Start Corrected
False Start Corrected

The wings caused much struggle and heartache.

After a morning’s stitching, I realised that all the details I had added were on the wrong side of the felt base, with the result that the wings were facing the wrong direction for the composition.

So here you see a start on the second pair of wings. I learnt from the first attempt, and the difficulties I’d had around the edges, and left the wings as part of the fabric as I worked them, using rows of fly stitches for the pinions.

Second wings
Second wings

After working over the wings with the embellisher to reduce the potential for stitches unravelling, I cut them out, with as much precision as I could. But I’m really not happy with them.

They are dark, heavy and clunky, too densely stitched, and much too sombrely coloured. No bird will soar on wings like this.

Third Wing Attempt Begins
Third Wing Attempt Begins

So, the third attempt begins. I used a fragment of felt as the leading edge of the wings and then added lengths of fibre. I’m outlining the wing shapes using a single needlefelting needle, and I’ll try to creep up on more successful wings, learning from all my past mistakes.

Starting on the Hunting Cat Fresco

Starting on the Hunting Cat
Starting on the Hunting Cat

I was leafing through my image sources, looking for some relief from the concentration of Akhenaten, when a fragment of fresco caught my eye. I’d not really registered it before, but it’s full of vitality, and I thought it might give scope for more Fun With Felt.

I may simplify – or complicate – my ideas as I go along, but since I wanted to include the whole cat, the first thing I did was spend some time looking at pictures of cats on the internet (which just goes to show that one can find a research excuse for almost anything!) to see whether I could draft some suitable hindquarters to replace what my source didn’t show.

Beginning the felted underlayer on the cat
Beginning the felted underlayer on the cat

I’m sure my cat isn’t quite the way the Egyptians rendered him, but as ever, I’m aiming at a “reinterpretation” or “realisation”, not a photographic rendering. As it was, I had to tug at my felt and give thanks that there’s no grain in non-wovens to get it to fit at all. Especially since I had decided to make use of the leftovers of stitching for the cushions for the Two Princesses to give me a head start on his nose.

I began with a few lines of stitching, and a golden eye, and then needle-felted fragments of felt and untwisted plies of thread onto his neck and chest (for some reason I feel as though the cat is a very young boy cat!).

Trialling prey placement
Trialling prey placement

The next thing to do was to do an initial layer of stitching all over my cat. I’ve just used simple straight stitches, to echo both the cat’s fur and the simple brush strokes of the ancient Egyptian painter. When the cat is needle-felted onto the eventual background, that will blur the stitches into the felt, and created a softer effect.

I had to draft a body for the bird as well. This might be less successful, but I think it will do..

Two Amarna Princesses – Finishing Details

Sewing On The Princess
Sewing On The Princess

I decided that I would actually sew down the princesses. Everything else has been needlefelted into place, but the texture that creates, especially on a light felt, is a bit too regimented for the impression I want to convey.

I’ve very carefully, and as near as I can make it, invisibly, attached the felt around the edges, stitching into the thickness of the felt that makes the two girls and using a wool thread that is close in colour to the felt.

Ready For Her Close-Up
Ready For Her Close-Up

So far, so good.

I then used a hand needlefelting tool and went just around the edges, and into the sections that are further back. I’m trying to create a slightly sculptural effect, so that the princesses have a slight roundness to them. Remember how, at the beginning, I said I wanted to recall the scene as the original fresco artist may have seen it, as well as recalling the fresco itself?

Two Amarna Princesses
Two Amarna Princesses

I’m rather pleased with my two little princesses.

I need to work a little magic in straightening up the panel and working out how to display it, as I think the three felt panels that I’ve done so far would all die if put behind glass, and may not even be happy in frames.  A question for another day.

Dig House Progress

Dig House Texture
Dig House Texture

I’ve not finished the Dig House panel yet, but I’m working on it!

I’ve tried to add detail and shading to the walls of the house by running threads underneath the top layer of felt, and then running the embellisher over the top to help that added layer to show through a little more.

Dig House Progress
Dig House Progress

I’m also adding a lot of detached chain stitch leaves to the trees. This is overbalancing the detail on the whole piece, pulling the eye out to the side, so although I still need to do more of this, I need to sharpen up the details on the central section a bit more as well.

It’s easy to make this sort of mistake when you’re making something up as you go along – they don’t always arrive in your head fully formed! – but fortunately, a bit of my favourite thoughtful staring helped me to work out what I need to do.

Now it is just a matter of actually doing it right….

Another Attempt at the Dig House

Dig House Cut Out
Dig House Cut Out

I’m continuing to experiment with my embellisher, trying to learn new tricks.

I’ve found a photo of the Dig House from a different view to the previous one I tried, and cut out some pieces of felt to represent the trees and the various pieces of building. It’s not going to be a very accurate representation, because, firstly, my cutting wasn’t as accurate as it could have been, and second, I’ve found that needlefelting doesn’t always go to plan.

Dig House Preparation
Dig House Preparation

That said, a bit of stitchery helps to keep the pieces at least approximately in place.

I felt the felt of the trees looked a bit too solid, and snipped holes in it, snipped the edges, and then tugged and tweaked at it to open up the fabric.

Then I started to use my embellisher. And oh joy, a needle broke! I changed the needle plate and slowed down a bit after that. It turns out that three layers of even this fairly light felt are a bit much for the machine.

Dig House Needlefelted
Dig House Needlefelted

However, after much slow and careful embellishing, I have this.

The trees look much better now, with the edges and the holes satisfactorily destroyed and battered around the edges. The various layers of felt are melting into one another and flattening together.

This should at least provide me with an interesting basis for further stitched details!

 

A Pause In The Modern Stitch Off

From The Back
From The Back

I’ve reached a sort of sticking point with the Modern StitchOff project, so I’ve decided to pause and think about it.

I took the blanket outside (all four and three-quarter pounds of it!) and hung it on the washing line to stare at, and photograph for you.

This is the reverse side – that is, the side you don’t see when sitting at the embellisher, trying not to break needles.

From The Front
From The Front

This is the front. It can be quite fluffy – the hexagonal net keeps fibre in place while embellishing, but at the cost of sometimes failing to realise it hasn’t been firmly enough attached. I’m learning that I need to make a first pass with the net, trying to be thorough, but then take off the net and go over the same area again.

I’m also noticing that although I used two different types of felt for the leaf shapes, and they behave differently under the needles, the effect on front and back is sufficiently similar that in future I will pick the felt which felts easily (if you follow me!).

The reverse has a rather intriguing spotty effect. When there’s only one layer of embellishing it is easy to see that it is one tiny dot of colour for every needle (which makes sense!). The front varies rather more, sometimes flat and densely textured by the needles, sometimes fluffy and fly away.

My challenge now is to work out how to extend the colour and texture to the rest of the blanket, and then to decide, do I add some lines of roving, and if so, how. Although if anyone suggests using a hand-embellisher, my howls of outrage will be heard by NASA’s “Juno”!

Amarna Geese – stage 2

Detail Added To The Geese
Detail Added To The Geese

I’ve started adding more detail with needle and thread. The chevron pattern, the eyes, and the detail on the beak are all made using straight stitches in single strands of Appletons wool. I can’t think where I got a whole series of greys, unless it’s from hand-me-downs. I’m glad I have them now, but it isn’t a colour I much like and I can’t imagine going out and buying them!

For the legs, I have used three different colours of wool in the needle. I can see that for all my staring at photographs and trying to sketch, I’ve not really got a clear or accurate idea of the details of goose anatomy! And somehow, for all my care in placing the cut out felt geese, they’ve ended up attached in not-quite-the-right place.

Geese Needlefelted
Geese Needlefelted

Still, let’s not despair.

I’ve also added some ground below the the geese. Three strands of different colours of wool, again. I did a sort of loopy knot stitch crossed with a split stitch, which I couldn’t reproduce if I tried. But it produces a very good broken-ground effect, so as long as I don’t decide I need more ground, we’ll be fine.

Then I sat down at the embellisher and tried to blend the fabrics together. This meant quite heavy embellishing, but fortunately the fabrics are none of them dense, so there was room for the fibres to mingle.

When I noticed that the legs weren’t getting caught in, I twisted some more threads around them. That’s better.

Then another pause. Do I add leaves, to match my vague memory, or shall I leave well alone?

Modern Stitch-Off Adventure – 4

Spare Needles
Spare Needles

I’ve been gradually accumulating the skills needed to wrangle my embellisher successfully. It was worth buying the extension table that fits around the arm of the machine – that began to make the whole thing seem possible.

Using the net to hold down the fibres made a huge difference, and so did piling up props to keep the weight of the blanket from pulling on the needles. The props then worked better again when I covered them, and the table, with a slippery plastic tablecloth to stop them getting caught up.

I’ve also found that on my wooden sewing table, the embellisher “walks” with the vibration of its movement. Two layers of heavy batting on the table seem to have fixed that particular alarming problem, and then I bought some spare needles (20 of them!) and relaxed a little, which made it easier not to jerk at the fabric and break needles.

Fibre And Felt
Fibre And Felt

So what with one thing and another, I’m beginning to feel as though I might be getting to grips with the embellisher!

I’m also beginning to learn which fabrics work. Obviously, the hexagonal net gets shredded and doesn’t get pulled into the fabric. Dense commercial wool felt doesn’t felt in well, in fact it seems to pull itself back out again; but real wool tweed and the lofty “pre-felt” pieces felt in like a dream, and end up looking almost as though they were part of the fabric.

Medallion
Medallion

The fibres seem to remain quite lofty and furry, even after being fairly thoroughly felted in, although the merino becomes flatter than some of the other fibres. The more I work with the embellisher, the more I realise that there is rather more to it than meets the eye!

A lot more….

At the moment, the colours aren’t quite working, but my next stage is to start to add details, and tweak the colours a bit. I need to add the teals and greens that are part of the fabric pattern that gave me the colour-scheme, and  also help some of the edges and lines of the pattern to come to life..

Back View
Back View

But I might also choose to use the back… The spotty, “dithered” effect is very like the overall effect of the fabric I’ve mentioned, so I need to consider whether to continue adding to what is at present the “front”, or to start adding tweaks to the “back”.

If it is still the back…!

Needlefelted Amarna Geese

Sketched Geese
Sketched Geese

I have a picture in my mind of a gaggle of geese, fresco’d on an Amarna wall. Unfortunately, all my rummagings haven’t turned up a reference or any idea where I saw it.  So I am going to make it up!

I spent some time online, looking for pictures of geese, and made some sketches. I’ve decided to use my embellisher – this is a sort of “bonus” project, as it won’t go on the main panels.

Geese Cut Out
Geese Cut Out

So the next stage was to cut out some geese from some light grey pre-felt. One of them is to be slightly more upright than the other two, but since needlefelting – like wet felting – reduces the dimensions of the piece, it’s anyone’s guess how clear that will be when I’ve finished!

Goose with layers
Goose with layers

I’ve tried to create the basic appearance of the goose using fragments of wool – several shades of grey merino, and some of the very wiry white wool from Heligan. It’s all needlefelted into place by hand.  Not enough hands – I’m sure I could have done with another pair, or some other way to control the bits I hadn’t managed to deal with yet!

At this point there was a pause for thought… I have neither the inclination nor the patience to add the details with needlefelting, but equally, how much detail will I really need?