Akhenaten’s Headdress, Rethought

Original Headdress
Original Headdress

Of course, I had to take off the gold headdress when I decided to make another attempt (and another, and another!) at the face. Then, when I looked at it again, with my new version of the face in place, and still more new ideas swirling around in my head, I decided that it wasn’t quite right, either in shape or in conception, and needed a little more help…

Blue Twist And Brass Mesh
Blue Twist And Brass Mesh

First of all, I think the first piece of gold kid I cut was the wrong shape, but secondly, and more interestingly, the cobra doesn’t really stand out against the gold kid, so I decided to try again.

So I began by folding a piece of brass mesh and attaching to it a loop of the same blue twist I used to emphasize the edging of the belt. I had thought that this might be rather tricky, but the brass mesh is fine enough to take stitching without too much trouble.

At this point I should probably say that from the base to the top of the loop here is no more than a centimetre. This is all very small and very fiddly indeed!

I also experimented with some pleating and crinkling of the brass mesh. I like the various effects, and I’d love to fit them in somewhere, but unfortunately I couldn’t quite work out how to make them work in this context.

The whole piece is so striking that I am finding it particularly difficult with the last little details, because they need to have enough personality not to be overwhelmed, but I don’t want the final piece to feel “spotty”. The eye needs somewhere to rest occasionally, rather than zooming frantically in all directions!

Akhenaten’s Face – Yet Again

Needlefelting A Different Way
Needlefelting A Different Way

Having found the last attempt didn’t result in quite what I was aiming for, I tried a new approach.

This time I took the outline of the face from the main piece, and needlefelted around it to get the shape to fit. Then I tried to get the features in place again, but having learnt from last time, I tried to leave the felt padding a little softer so as to be a bit easier to embroider. When I was trying the wet-felted versions to be further needlefelted, I used several different wools to see whether it made a difference, but with my level of inexperience, it didn’t, so this time I just used the first that came to hand.

Face In Progress
Face In Progress

Then I stretched silk over the top and began to stitch again.

When I tweeted this picture in a frustrated I’ve-had-enough-of-him pause, one of my friends replied “It’s Cassandra O’Brien!”. Which gave me a much-needed giggle – although I have a lowering feeling that Akhenaten and Cassandra might have got along quite well. Not necessarily the most admirable of people, either of them.

And don’t my lovely copper/rose-gold headed pins disappear beautifully against the fabric!

Face In Place
Face In Place

This looks rather better, I think.

I would have been happier if I could have made the brow heavier, and the nose more forward, but by now I feel I’m entering a world of diminishing returns, and may even start to make negative progress, which would be disheartening to say the least.

Now to see how this face copes with all the fuss of headdress and accessories…

Akhenaten’s Face – Again

Needlefelted Faces
Needlefelted Faces

As you may recall, my last attempt at a face for Akhenaten wasn’t entirely successful, so I started again… This time I needlefelted the shapes very fiercely (which I enjoyed more than I expected to!) until they were quite solid and strongly shaped, only to discover that they were far too deep and I had to saw off the back half with a penknife!

Another Face Attempt
Another Face Attempt

Then I stretched another fragment of silk over the top and worked the features.

When you consider how deep the eyesockets are in the felt, I’m a bit surprised that the eyes on this version don’t appear more deep-set, but he does have nice heavy brows, and the rest of the features aren’t too bad..

The face is also as narrow as it appears in that purple watercolour from a couple of weeks ago, so I felt quite optimistic when I turned back to the frame he sits on.

Too Narrow A Face
Too Narrow A Face

However, you can’t say that this face is much better than the apoplectic trumpeter – it has turned out by far too narrow for the space left for it, and I suspect that the detached buttonhole stitch with return used for the wig has done too much damage to the fabric to take it out.

So this is not the one to use, and I have to try again.

Again!



More on Akhenaten’s Return

Trying Again for the Face
Trying Again for the Face

I’ve felt the face was rather weak, so I decided to try again.

This time I needlefelted the padding underneath, to try to get the nose, the heavy brows, and the mouth in place.

Twice.

Separate Face
Separate Face

Then I covered the padding that seemed the better with silk, and stitched the features again. In some ways, this is better than the first attempt, but it still looks a bit twisted. The eyes are certainly staring, but the nose isn’t straight.

In my defense, it became harder and harder to stitch, even though I began to feel that the shaped padding wasn’t shaped enough. Or even padded enough!

I think that before I attempt another version, I need to work out a way of keeping the silk under control while I add the features, without actually attaching it all the way around

In spite of that, I decided to attach this face in place of the last, and see whether I felt that a face “stuck on afterwards” would be a problem.

More work needed!
More work needed!

Well, no, I don’t think it is, although it’s hard to be sure. Not least, it involved removing still more of his headdress. That will need more padding to sit well with a more padded face.

I am sure that I need a new version, though. At present he looks like an apoplectic trumpeter, and that is not a good look for the Heretic Pharoah!

Getting back to Akhenaten

I’ve not written about the Colossus of Akhenaten for a while, but that isn’t to say I’ve stopped thinking about it. Unfortunately Akhenaten is proving obstreperous (as in life, so in embroidery…!)

The Crook
The Crook

I decided to try to sneak up on him by playing with details such as the crook and flail regalia.

I don’t want these to be couched to the fabric in bits, I want them to seem like miniaturised regalia, so I’m planning to thread various coloured purls onto wire and then poke the end of the wire through the fabric to the back.

This heavy purl – called “Rope” on the Golden Hinde website – seems to work perfectly for the crook, but single wire wasn’t strong enough to support it, so much of the experimentation was to get the right number of strands. I’m so glad I have proper goldwork scissors – the rope is tough and springy stuff.

Flail Experiments
Flail Experiments

You may recognise the materials in some of these experiments for the flail!

The two on the left use silk-covered purls in blue, with heavy gold pearl purl. The two on the right are coloured and gold purls, some of those used in the chipwork on the belt.

The potential handle is a gloriously stiff, over-the-top purled pearl purl in blue and silver, named something like “winter spiral”. I have my doubts about it in this context, because it’s silver rather than gold, but we’ll see…

Regalia Placement Experiments
Regalia Placement Experiments

I couldn’t resist trying the crook and flail trials in place.

I’m happy with the crook, but the flailing bits of the flail are giving trouble. None of the options really looks the right scale – the purls are too small, the pearl purl may be a bit too heavy, and the “winter spiral” handle doesn’t look quite right, either.

So I have some more thinking to do. Again…

Akhenaten’s Beard, And Other Details

Starting The Beard
Starting The Beard

I spent a bit of time looking at images of pharaonic tie-on beards (now there’s a sentence I never expected to write – not in a normal frame of mind, anyway!) while I tried to work out how best to portray the impression created, even if maybe not the precise pattern that was used for Akhenaten’s version.

The patterns included a sort of interlaced pattern, and a vaguely herringbone-brick-like pattern, and some widened towards the base, and others became narrower and curled up a little at the tip. My version – based on the images of the Colossi of Akhenaten that inspired this piece – widens towards the base.

Akhenaten's Beard
Akhenaten’s Beard

I’ve chosen a plaited effect in blue and gold, using one of the standard gold threads from Thistle Threads and a plain blue silk perle, alternating two stitches from each side (the blue is used double, so had to be flattened and untwisted at every stitch). It required a bit of juggling with needle, thread, and bone stiletto to keep everything in order, but once I had the trick of it, the beard progressed relatively smoothly.

The widened base isn’t quite as wide as it was, but on the whole, I’m fairly pleased with it. So I’ve added a few more details, and some of them I am really not sure about.

Torso To Assess
Torso To Assess

I’m happy with his belly button. Somehow it makes him even chubbier!

I think I’m also happy with the cartouches on his tummy. It’s the same silk as the background, but turned at right angles, which shades the colour slightly.

My concern lies with the armlets and wristlet. I’ve given two of them edgings, one of gold pearl purl, the other of flattened silver purl with a gold strip threaded through, and at the moment, neither of them looks right.

I do have an idea for the crook and flail he is holding, but I may leave those and buy the materials at the Harrogate Knitting And Stitching Show. So I have time to think, assess, and Stare Thoughtfully.

And as one of my offline friends reminded me recently – Akhenaten wasn’t known for smoothly following the existing tracks during his lifetime. It would be too much to expect his stitched representation to do so!

Akhenaten – more details

First Trial Armbands
First Trial Armbands

My first attempt to dress Akhenaten with his armlets and wristband used a strange gold fabric I’ve had for some years. An old friend bought it originally to make herself an evening dress, but it’s a very difficult fabric to work with – it frays if you even breathe near it, it doesn’t drape at all well, but it doesn’t like structured shapes either.

She despaired, and gave it to me. What are friends for, after all?

I’m playing with fragments to see whether I can find something to do with it. So far I have discovered that iron-on interfacing doesn’t stay ironed on to it, either.

Second Trial Armband And Beard Padding
Second Trial Armband And Beard Padding

And, frankly, I think the armlets look more like waterwings. So it doesn’t work for a Pharaoh’s armlets, either!

The next attempt was to use gold kid leather. I’m a bit happier with the kid leather, even though I’ve not been able to put the cartouches on it, but while I was thinking about that, I decided I should maybe think about the tie-on beard which seems to have been an element of royal iconography in ancient Egypt – to the point that even the female pharaoh, Hatshepsut, had herself depicted wearing one.

I made a small, padded form, using cotton padding covered with gauze, and attached it carefully. Then I had to work out how to cover it, and what sort of pattern would be appropriate.

And I really need to think of some way to pad out his nose, don’t I!

Akhenaten’s Loincloth

Belt Fall Finished
Belt Fall Finished

In fact I had finished the belt before I started on “Leaving the Tyne, 1915“, so it was just as well that I had the belt fall to work on. It gave me something definite to do while I started to get myself mentally back in the groove, as it were. I thought about fading out to the blue green down the length of the belt fall, but in the end I decided to work it with only one colour of additional purl – just the purple.

I’m quite pleased. I can’t see a difference between the chipwork of the belt and the chipwork of the belt fall, which is especially good, considering there were five months, more or less, between them!

Started The Purls
Started The Purls

So at this point I could start on the element that I first “saw” in my mind’s eye, the element that inspired me to start on this piece. Unnerved, much?

The pleated linen of the loincloth is being represented by row upon row of silver purl, using four different types: smooth purl, bright check purl, rough purl and wire check purl. The varying reflectances of the different types create different shades, representing the light falling on the various surfaces of the pleats.

And now you can see – in case you were worried – why I was not at all worried by the big slub in the middle of the fabric. I always knew it would be covered with silver purl!

Loincloth Finished
Loincloth Finished

For those who don’t know, purl is made by wrapping very, very fine wire around a former. So it is basically a tiny spring. A fraction of a second’s inattention, and it spangs around the room, snags on curtains (and even the silk background fabric), and generally becomes a severe trial. On top of that, it has to be gently handled lest it bruise or break, creating a flattened section or a dark line in the finished piece.

And yet, surprisingly, I rather enjoyed doing it!

Classically, I believe purls like this would be edged with something, but even though the edges of my purls aren’t completely even, I think this helps with the impression of a garment wrapped around the body. And I love the effect of the different shades of silver!

Getting started on Akhenaten’s Belt

Trial Run - but Not Happy
Trial Run – but Not Happy

I knew I wanted to fill in the belt with coloured chipwork, but how?

I had started off with the idea of making lotus flower shapes, but very soon became frustrated. I didn’t like the way it was looking, and, adding insult to injury, it was exceptionally fiddly to do.

So, no, think again. It might be possible to do something like this another time, but at the moment I can’t quite think how I would do so!

Scatter Of Coloured Purl
Scatter Of Coloured Purl

The next attempt was to use standard chipwork without attempting to make pictures. I know that the chips are very spread out here, but I began with the coloured purls, scattered across the belt to create a graduated colour effect, which shades from purple in the middle through blue to dark blue-green and light blue-green. The gold background had to wait until I had the colourwork right.

Belt Complete
Belt Complete

Once that was done, I went back and added the gold chipwork. I have four different types of gold purl, some smooth and some rough, so the sparkles would have some variety and colour. I think I’m much more pleased with this, and I will be able to tweak the blue twist to bring it more to the foreground.

Beginning Akhenaten’s Loincloth

Beginning Loincloth
Beginning Loincloth

While I mull over the gold section of Akhenaten’s headdress, I’ve decided to work on his loincloth and belt.

The original inspiration here was for the silver purls to represent the pleats of the loincloth, but when I talked with Sarah at Golden Hinde, when I was buying all the wonderful metal threads, she suggested that I should probably do the belt and fall first, not least, to have somewhere to tuck any untidy ends of the purls while I’m still getting the hang of it!

Adding Blue Twist
Adding Blue Twist

So I started with a very large gold purl with a sort of twist on it, and settled it neatly into the stitching lines from the quilting. That was followed by a slightly iridescent blue twist. It’s going to be tricky to keep that as visible as I want it to be, and I may very well end up playing around with the placement, or even removing and reinstating it later.

Still, onwards and forwards….!