A few last details

Detail of Akhenaten's face
Detail of Akhenaten’s face

I added a few extra details, to sculpt the face a bit more – tiny stitches in silk, broadening and deepening the eye sockets, altering the shape around the nose, adding more stitches attaching the face.

In fact, to make sure the silk was fine enough, I twisted it myself from a spool of Japanese silk bought for the purpose. I think I ended up with three twisted threads from one length.

The gold kid of the headdress now has an upper edge trim as well. That would have been much easier to do if I could have done it before attaching the kid to the head!

Akhenaten's hands
Akhenaten’s hands

As I was looking over the whole thing, it occurred to me that Akhenaten’s hands weren’t convincingly grasping his crook and flail. Fixing that wasn’t hard in theory – new hands cut from the edge of the silk, padded with padding from the edge of the piece, and attached with more hand-twisted silk thread.

In practice, it took several attempts before I was at all happy with the result, and I could be seen contemplating my own closed fist thoughtfully at various points in the process. Which doesn’t always help as much as you might think, when the aim is something slightly different to a realistic representation….!

Signature on Akhenaten
Signature on Akhenaten

However, I now think he’s probably as finished as I can make him. As I wrote to a friend: I may have doubts about detail, but I think Akhenaten is now as good as my current level of skill will allow. I hope someone will take him off my hands before I get good enough to shudder every time I look at him!

More of Akhenaten’s Accessories

I feel as though I’ve spent as much time on Akhenaten’s accessories as I did on the silver purl loincloth, and tied myself in as many knots as I did when I was doing his wig!

Flail, unsatisfactory

I do hope he starts to approve of my efforts again soon…

When last seen, I was content with the crook, done in alternating blue and gold wire rope, strung on a former made of fuse wire, but I was expressing doubt about the flail.

The gold purl and silk wrapped purl was too frail, and this version, using gold wire rope, was visually too heavy, and much too springy. So I knew that something else would have to be devised, and racked my brains repeatedly for ideas.

The ideas finally came late one night, and – too drowsy to wake up properly and write notes – I fell asleep hoping I wouldn’t have forgotten in the morning.

Beadwork Swipples

Fortunately, I hadn’t!

I’m assured that the word for the parts of a flail that flail is “swipple”, which sounds too outrageously appropriate not to make use of.

The various turquoise beads came from a friend on Instagram, who saw my wrestlings with the armlets and offered some treasures from her stash to assist. After several trials, I settled on a combination of gold and coloured beads, and a particular length of loop.

Crook, Flail And Wristlet

The finished flail has a handle of gold wire rope, a head of gold pearl purl, and four strung bead swipples. In fact, the inner two swipples have different coloured beads to the outer two. This is part of the layering of detail I’m trying to develop with Akhenaten, to help with the impression of rich gorgeousness I want to convey. It might be barely noticeable (although more so in real life), but it will break up what might otherwise look a bit monolithic.

I’ve taken the same approach with the wristlet, which uses silver rough purl (leftover from the loincloth) in combination with a pale pinkish rough purl. Anything single-coloured was too obvious and argumentative, especially as it’s placed right in the centre of his chest, but when I left it out entirely, that looked worse!

Akhenaten’s Armlets

Brass Mess, Looking Dull

You may recall that I had some trouble with the armlets the first time I was working on them. Now, as I’ve come back to Akhenaten again, I’ve decided that the gold kid I’d settled on isn’t at all right. Off it came, and after some puzzling, I attached the brass mesh instead.

Only to decide that no, that looks dull, doesn’t capture the effect I’m after, and even edged with a flattened gold spiral, doesn’t stand out enough against the silk.

Coloured Purl Armlets

My next thought was to do some patterned chipwork. I chose a rather gorgeous, very ancient-Egyptian-looking blue, and a sort of diagonal basketweave pattern which is not a million miles removed from some of the patterns I have seen on ancient pieces.

The blue did at least help the silk to show something like true colour, but when I looked at the whole piece, I found the blue too bright, and the pattern altogether too much of a good thing.

I thought that was strange. The alternating directions should have echoed the beard and helped the two sit nicely together, and there is so much personality in the silver purl loincloth that you would have thought nothing could have been too much!

Armlet Trimmed With Silk Wrapped Scallop

Then I had a thought – the kit for the Stuart Silk Purl Flower contained some bonus silk-wrapped wires and purls, and fortuitously, when slightly overstretched, there was just enough of one of the turquoise ones to do top and bottom on each armlet.

At this point I decided, somewhat tentatively, that maybe I’d got this bit right, or at least right enough to move on.

Akhenaten’s Headress Rethought – stage two

The Cobras Hood
The Cobras Hood

Having decided that all those delicious manipulations of brass mesh weren’t going to help in this case, I cut out the shape of the cobra’s hood from the brass mesh, (not getting too close, in case I cut the thread attaching it!).

At this point I realised it wasn’t quite strong enough, and attached the bent piece of pearl purl from the first attempt to the back in order to provide more support.

Bending back the brass mesh helped to conceal the supporting pearl purl – although whether anyone will be able to notice it is a moot point!

Cobra In Place
Cobra In Place

The final stage of the cobra was to attach the same piece of silver spiral with gold band to take the place of the snake himself, in front of the hood and to a new piece of gold kid. This time I looked again at some pictures of cobras, and made sure the hood was set back a little from where the mouth would be.

New Version Of Headdress
Cobra and vulture heads in place

I used the same “vulture’s head” as last time, but helped it to stand out slightly by winding some blue wire from a tiny bit of blue purl around the large gold rope I used for the vulture’s neck. You can see how small it is, but it’s surprising how much difference it makes to the final effect!

Once I’d attached the gold kid, I could cover the bottom edge with gold spiral, and then trim the upper edge to create the shape I wanted. This is the stage you see here. However, I then decided that the upper edge needed a trim, so at some point I must tie myself in knots to attach some sort of trimming to a curved shape stretched over a padded base.

Wish me luck!

Akhenaten’s Headdress, Rethought

Original Headdress
Original Headdress

Of course, I had to take off the gold headdress when I decided to make another attempt (and another, and another!) at the face. Then, when I looked at it again, with my new version of the face in place, and still more new ideas swirling around in my head, I decided that it wasn’t quite right, either in shape or in conception, and needed a little more help…

Blue Twist And Brass Mesh
Blue Twist And Brass Mesh

First of all, I think the first piece of gold kid I cut was the wrong shape, but secondly, and more interestingly, the cobra doesn’t really stand out against the gold kid, so I decided to try again.

So I began by folding a piece of brass mesh and attaching to it a loop of the same blue twist I used to emphasize the edging of the belt. I had thought that this might be rather tricky, but the brass mesh is fine enough to take stitching without too much trouble.

At this point I should probably say that from the base to the top of the loop here is no more than a centimetre. This is all very small and very fiddly indeed!

I also experimented with some pleating and crinkling of the brass mesh. I like the various effects, and I’d love to fit them in somewhere, but unfortunately I couldn’t quite work out how to make them work in this context.

The whole piece is so striking that I am finding it particularly difficult with the last little details, because they need to have enough personality not to be overwhelmed, but I don’t want the final piece to feel “spotty”. The eye needs somewhere to rest occasionally, rather than zooming frantically in all directions!

Akhenaten’s Face – Yet Again

Needlefelting A Different Way
Needlefelting A Different Way

Having found the last attempt didn’t result in quite what I was aiming for, I tried a new approach.

This time I took the outline of the face from the main piece, and needlefelted around it to get the shape to fit. Then I tried to get the features in place again, but having learnt from last time, I tried to leave the felt padding a little softer so as to be a bit easier to embroider. When I was trying the wet-felted versions to be further needlefelted, I used several different wools to see whether it made a difference, but with my level of inexperience, it didn’t, so this time I just used the first that came to hand.

Face In Progress
Face In Progress

Then I stretched silk over the top and began to stitch again.

When I tweeted this picture in a frustrated I’ve-had-enough-of-him pause, one of my friends replied “It’s Cassandra O’Brien!”. Which gave me a much-needed giggle – although I have a lowering feeling that Akhenaten and Cassandra might have got along quite well. Not necessarily the most admirable of people, either of them.

And don’t my lovely copper/rose-gold headed pins disappear beautifully against the fabric!

Face In Place
Face In Place

This looks rather better, I think.

I would have been happier if I could have made the brow heavier, and the nose more forward, but by now I feel I’m entering a world of diminishing returns, and may even start to make negative progress, which would be disheartening to say the least.

Now to see how this face copes with all the fuss of headdress and accessories…

Akhenaten’s Face – Again

Needlefelted Faces
Needlefelted Faces

As you may recall, my last attempt at a face for Akhenaten wasn’t entirely successful, so I started again… This time I needlefelted the shapes very fiercely (which I enjoyed more than I expected to!) until they were quite solid and strongly shaped, only to discover that they were far too deep and I had to saw off the back half with a penknife!

Another Face Attempt
Another Face Attempt

Then I stretched another fragment of silk over the top and worked the features.

When you consider how deep the eyesockets are in the felt, I’m a bit surprised that the eyes on this version don’t appear more deep-set, but he does have nice heavy brows, and the rest of the features aren’t too bad..

The face is also as narrow as it appears in that purple watercolour from a couple of weeks ago, so I felt quite optimistic when I turned back to the frame he sits on.

Too Narrow A Face
Too Narrow A Face

However, you can’t say that this face is much better than the apoplectic trumpeter – it has turned out by far too narrow for the space left for it, and I suspect that the detached buttonhole stitch with return used for the wig has done too much damage to the fabric to take it out.

So this is not the one to use, and I have to try again.


More on Akhenaten’s Return

Trying Again for the Face
Trying Again for the Face

I’ve felt the face was rather weak, so I decided to try again.

This time I needlefelted the padding underneath, to try to get the nose, the heavy brows, and the mouth in place.


Separate Face
Separate Face

Then I covered the padding that seemed the better with silk, and stitched the features again. In some ways, this is better than the first attempt, but it still looks a bit twisted. The eyes are certainly staring, but the nose isn’t straight.

In my defense, it became harder and harder to stitch, even though I began to feel that the shaped padding wasn’t shaped enough. Or even padded enough!

I think that before I attempt another version, I need to work out a way of keeping the silk under control while I add the features, without actually attaching it all the way around

In spite of that, I decided to attach this face in place of the last, and see whether I felt that a face “stuck on afterwards” would be a problem.

More work needed!
More work needed!

Well, no, I don’t think it is, although it’s hard to be sure. Not least, it involved removing still more of his headdress. That will need more padding to sit well with a more padded face.

I am sure that I need a new version, though. At present he looks like an apoplectic trumpeter, and that is not a good look for the Heretic Pharoah!

Getting back to Akhenaten

I’ve not written about the Colossus of Akhenaten for a while, but that isn’t to say I’ve stopped thinking about it. Unfortunately Akhenaten is proving obstreperous (as in life, so in embroidery…!)

The Crook
The Crook

I decided to try to sneak up on him by playing with details such as the crook and flail regalia.

I don’t want these to be couched to the fabric in bits, I want them to seem like miniaturised regalia, so I’m planning to thread various coloured purls onto wire and then poke the end of the wire through the fabric to the back.

This heavy purl – called “Rope” on the Golden Hinde website – seems to work perfectly for the crook, but single wire wasn’t strong enough to support it, so much of the experimentation was to get the right number of strands. I’m so glad I have proper goldwork scissors – the rope is tough and springy stuff.

Flail Experiments
Flail Experiments

You may recognise the materials in some of these experiments for the flail!

The two on the left use silk-covered purls in blue, with heavy gold pearl purl. The two on the right are coloured and gold purls, some of those used in the chipwork on the belt.

The potential handle is a gloriously stiff, over-the-top purled pearl purl in blue and silver, named something like “winter spiral”. I have my doubts about it in this context, because it’s silver rather than gold, but we’ll see…

Regalia Placement Experiments
Regalia Placement Experiments

I couldn’t resist trying the crook and flail trials in place.

I’m happy with the crook, but the flailing bits of the flail are giving trouble. None of the options really looks the right scale – the purls are too small, the pearl purl may be a bit too heavy, and the “winter spiral” handle doesn’t look quite right, either.

So I have some more thinking to do. Again…

Akhenaten’s Beard, And Other Details

Starting The Beard
Starting The Beard

I spent a bit of time looking at images of pharaonic tie-on beards (now there’s a sentence I never expected to write – not in a normal frame of mind, anyway!) while I tried to work out how best to portray the impression created, even if maybe not the precise pattern that was used for Akhenaten’s version.

The patterns included a sort of interlaced pattern, and a vaguely herringbone-brick-like pattern, and some widened towards the base, and others became narrower and curled up a little at the tip. My version – based on the images of the Colossi of Akhenaten that inspired this piece – widens towards the base.

Akhenaten's Beard
Akhenaten’s Beard

I’ve chosen a plaited effect in blue and gold, using one of the standard gold threads from Thistle Threads and a plain blue silk perle, alternating two stitches from each side (the blue is used double, so had to be flattened and untwisted at every stitch). It required a bit of juggling with needle, thread, and bone stiletto to keep everything in order, but once I had the trick of it, the beard progressed relatively smoothly.

The widened base isn’t quite as wide as it was, but on the whole, I’m fairly pleased with it. So I’ve added a few more details, and some of them I am really not sure about.

Torso To Assess
Torso To Assess

I’m happy with his belly button. Somehow it makes him even chubbier!

I think I’m also happy with the cartouches on his tummy. It’s the same silk as the background, but turned at right angles, which shades the colour slightly.

My concern lies with the armlets and wristlet. I’ve given two of them edgings, one of gold pearl purl, the other of flattened silver purl with a gold strip threaded through, and at the moment, neither of them looks right.

I do have an idea for the crook and flail he is holding, but I may leave those and buy the materials at the Harrogate Knitting And Stitching Show. So I have time to think, assess, and Stare Thoughtfully.

And as one of my offline friends reminded me recently – Akhenaten wasn’t known for smoothly following the existing tracks during his lifetime. It would be too much to expect his stitched representation to do so!