Tag: interior decoration
Mending a tablecloth, first stage
Over the New Year, my cousin showed me a rather charming embroidered tablecloth she’d bought, only to discover, when she got it home, that it had been rather amateurishly adapted for a table with a parasol. She doesn’t have such a thing, and all the ironing in the world hasn’t flattened the buttonhole stitch, so she asked, could I think of something?
Yes, I could. I’ll re-do the buttonhole stitch, slightly larger, and infill the entire hole with a needlelace stitch of some sort. I’ve not decided which of these threads to use, but I’m prepared for when the decision is made!
When I got it home, and folded it carefully to check that the hole was central, I discovered that it really wasn’t.
It really isn’t at all, in fact. And this close up gives you a chance to see just how tatty the oversewing around the edge turned out to be.
Oversewing, not buttonhole stitch. I’ll have to do better than that, won’t I!
In fact, once I’d done a bit of playing around and found a suitable circle that both encompassed the existing hole and placed the hole centrally, it was HUGE – at least three inches across!
That seems too big – even for infill with needlelace, it seemed to me that this would unreasonably weaken the fabric, so I started to think of suitable backing materials, and then emailed my cousin to ask whether she had some thoughts. After all, it’s her tablecloth.
She rang, and we had a chat, and she says she would prefer a smaller, non-central hole, without too many baroque attempts at backing it. So simple it is, then…
Finally! Crazy Paving Canvaswork finished!
In fact, it was finished a long time ago, and somehow I didn’t get around to writing it up…
Not that there is much to say. All of the interest (almost!) was documented in the stitching.
The old form has been scraped, holes filled, sanded, and repainted, and the cushion is a simple shape, tidied up with piping cord.
Some of the interest, in fact, is in the backing fabric. It’s an unremarkable jacquard woven pattern in cotton on a synthetic warp, but the design – rather ironically, since I’m card-blind for all practical purposes! – is a design of suits I created during my MSc in Textile Design Technology. It’s clunky, and not well-differentiated, but it was the first time I designed a jacquard pattern. The only time, too, but it was fun while it lasted, and I’m glad I asked the technician to weave a half-metre for me instead of the 10 cm that was all that was needed for the module.
Renovating Grandmama’s Footstool
Beginning Refurbishment
Having been working on the Heart, I was still thinking about Grandmama, and noticing that one of the footstools she made was getting a bit shabby and buckled, I decided to renovate it…
It’s worked in tapestry wool on binca (that strange cotton matting fabric that stitching happened on at primary school – does anyone else remember it?). I think I still have, somewhere, Grandmama’s draft of the pattern on squared paper, but the best I can do for putting my hand on it is to say it is Somewhere In The House! Since I don’t have a workroom, I put the footstool in a plastic tray, which I seem to remember is sold for cleaning oven trays. I use it for wet felting and to contain messes when I’m doing things like this. The blued-steel flat-headed nails were very hard to get out, and indeed, some of them lost their heads (!) and didn’t come out. In due course they were hammered firmly back in, instead!
Repaired Stitching
The binca around the edge was badly mauled by the nails, so I knew I would have to do something about that, but in the meantime, there were sections of the canvaswork that needed to be reinstated. First I washed and dried the whole thing (by hand) and then spent some time looking very hard at the stitching. More than fifty years of use have worn a few small sections, and the stitch took some identifying, but in the end, I decided it was Rice Stitch, and found a pale oatmeal tapestry wool that didn’t shout its’ newness too loudly.
Attached To Calico
Then I attached the binca to some calico and covered the join with one of the long-armed cross stitches. I wasn’t absolutely sure I had enough of the plain oatmeal colour so I alternated a needleful of each all the way around.
In the end, I had plenty left over, but I’ve said many a time before that when ekeing out assorted supplies, the trick is to Make It Look Deliberate!
Finished Footstool
I had to do that with the trim as well. Nothing in our local needlework shop was even remotely suitable so in the end I took some bobble fringing, a length of ribbon and some ricrac, and made my own!
There are one or two infelicities in the details, but it’s certainly got a good few years left in it now.
Thank you, Grandmama.
The Second Worktop Bin
Stage Four
I did indeed find myself mixing and blending a lot of different browns to fill in all those brown sections.
Remember what I said about stash busting being “an inexact science”? Well, the trick about dealing with that (in this context) is to make the various infills and changes look deliberate. I scattered the different shades in a random looking pattern across all the different diamonds. There are four or five different blends, and outside the central section there are only two of each shade in any one row.
Stage Five
The central section has brown diamonds all the same colour because I was using the central section to help me lay out the trellis pattern, and I simply kept going. In fact as I look at the canvaswork while I write this post, the central section blends beautifully into the outer sections. It really does look deliberate.
The tiny diamonds that lift the whole effect are in a very light cream. Fortunately I didn’t need much of this one, and I had enough!
Inside Top In Place
I profited from the experience of making the first little worktop bin, and instead of stitching the inside section after I’d folded back the top and stitched the rim, I worked it while the canvas was still flat, which was altogether easier to do!
Although I confess, I was wondering whether I would have enough of this beige to complete it, or whether I would have to take it out and use a different colour entirely…
Another Worktop Bin
Diamond Framework
The first worktop bin was such a success that I decided to do another one.
This time the bin itself is a cardboard drum that used to contain chocolates. It’s rather bigger than my sawn-off milk bottle, and furthermore, the canvas is finer (I’m only using two strands of Paterna in the needle, not three), so the canvas is going to take a little longer to do.
Stage Two
I’m staying with browns, and with diamond patterns, and starting with this diamond lattice pattern. I’ve had enough of the creamy beige wool to work the framework, and since it is only two strands, I should have enough of it to work the edging and seam as well.
But there is a lot more dark brown to come and I may very well find myself combining threads to stretch my varieties of dark brown to fit the pattern. Never mind, I will then have made some Stashbusting Progress!
Stage Three
Has anyone else noticed what a very inexact science stashbusting is? You embark on a project, full of hope that it will consume vast stores, only to find that the Stash in question has shrunk not at all…
Right up until the project when you rely on that happening….
Finishing the Form Cushion – Stage One
Corner of the Form
When I’d finished the stitching of the canvaswork for the Form Cushion, it was a little puffy and warped, and badly in need of blocking, but being long and thin I had nothing suitable for blocking it on. Until I had an inspiration – use the form itself!
We covered the form with an old towel, and then worked on alternate sides of the form. I’ve put an old length of cotton curtain header over the canvas, so that when I come to remove the staples, it will be fairly easy to do.
In theory…
It took quite a lot of heaving and tweaking, and the combined efforts of my mother and myself (for a client, she’s having to put a lot of effort in here, isn’t she! – she’s started on renovating the form too.), but in due course we managed to get the canvas firmly attached, and stood back to look at it.
Taking The Long View
It didn’t look nice and smooth as it does here. It was bumpy and lumpy, and not very happy at all.
So I steamed it gently, using a steam iron but not letting it touch the wool. Very, very carefully, and slowly..
It started looking a great deal better (even upside-down), but then we set it aside, still stapled in place, for a few weeks. We wanted to be sure that it was very thoroughly dry before we moved on to actually making the cushion.
And besides, I’m not entirely clear on the type of cushion it will be!
Finished Stitch Off Traycloth
StitchOff Traycloth
So here is the completed traycloth, laid on a convenient tray and assisted by the hand-me-down cutlery (from my grandparents) and the hand-me-down Willow Pattern (from my cousin). We were very entertained (and very pleased for them!), when going around a stately home last year, to find that Willow Pattern was the servant’s hall crockery, although I don’t know quite why.
Traycloth Elements
I didn’t attempt to stitch the two motifs identically. The original sketch of the patterns didn’t look identical, and to my mind that form of perfect repetition is overrated in any case. This shot also shows the machined “satin stitch” border, of three very narrow bands. I suspect they may be padded in some way because the bands are very heavily ridged.
StitchOff Motif
I chose to use very few colours – a yellow, two oranges, and two greens. The stitchery is simple, too, stem stitch and satin stitch, with bullion knots for the stamens. I don’t much like doing bullion knots (a holdover from early attempts) but sometimes they are simply and unarguably, the right stitch for the job.
They didn’t take long, and the completed traycloth does have a very cheering look to it!
Found in Tidying
Blackwork Pattern
Remember all those frames? And the teacloth? And “Co-operation is better than conflict“?
There’s been a bit more tidying up going on, and this appeared, ready prepared and kitted up. Presumably by the very same lady – or, given what embroiderers are like, possibly acquired from someone else who’d decided not to do it after all. I’ve found all sorts of half-completed needlework projects on Embroiderer’s Guild stalls!
The design was in a copy of “New Stitches” magazine, but heaven knows how old it is. At least eight years, because we’ve had it tucked away that long!
Blackwork As Inherited
There’s not much of it done, so one of us will have plenty to keep themselves occupied with.
In spite of Topsy, my mother is talking about taking it on. She’s much better at counted work than I am, so I’m likely to leave her to it, although I must admit it does look rather charming, and blackwork is a style I’ve yet to tackle!
Blackwork Detail
Look at all the different stitch patterns here! So intricate…
If ever either of us gets this finished, I’ll be sure to let you know…
A Lovely Teacloth
One Corner Of Teacloth
This teacloth was worked by my mother as a schoolgirl.
The design came from a transfer, and there was another girl in her class that was working the same one. With rather a difference. Her flowers were all lazy daisy stitch, and anything else was stem stitch, apart from the edges, and she got the whole thing finished in a term.
Needless to state, as her mother’s daughter, and with the spectre of Miss Hunter in the background, my mother wasn’t going to use a stitch with “lazy” in the name.
Central Ring
She did all the edges in blanket stitch – which with my recent experience with the Azorean Cutwork has me extremely impressed. It takes so long to make any noticeable progress with it!
The leaves are all in feather stitch, and they’re beautifully shaped, and the flowers are satin stitch – very neat satin stitch, which again is one of my least favourite stitches, and one I only do neatly in short bursts and with something else to do in between!
Detail Of Corner
Of course, my mother didn’t get her teacloth done in a single term – but her teacher was so impressed with what was finished that she took it home and handwashed and pressed the completed corner to put in in the end of term exhibition.
In spite of the fact that I very much doubt whether the teacher had contributed anything at all to my mother’s skill in the matter!
A Pause In The Modern Stitch Off
From The Back
I’ve reached a sort of sticking point with the Modern StitchOff project, so I’ve decided to pause and think about it.
I took the blanket outside (all four and three-quarter pounds of it!) and hung it on the washing line to stare at, and photograph for you.
This is the reverse side – that is, the side you don’t see when sitting at the embellisher, trying not to break needles.
From The Front
This is the front. It can be quite fluffy – the hexagonal net keeps fibre in place while embellishing, but at the cost of sometimes failing to realise it hasn’t been firmly enough attached. I’m learning that I need to make a first pass with the net, trying to be thorough, but then take off the net and go over the same area again.
I’m also noticing that although I used two different types of felt for the leaf shapes, and they behave differently under the needles, the effect on front and back is sufficiently similar that in future I will pick the felt which felts easily (if you follow me!).
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- Detail – Back
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- Detail – Front
The reverse has a rather intriguing spotty effect. When there’s only one layer of embellishing it is easy to see that it is one tiny dot of colour for every needle (which makes sense!). The front varies rather more, sometimes flat and densely textured by the needles, sometimes fluffy and fly away.
My challenge now is to work out how to extend the colour and texture to the rest of the blanket, and then to decide, do I add some lines of roving, and if so, how. Although if anyone suggests using a hand-embellisher, my howls of outrage will be heard by NASA’s “Juno”!