Tag: Christmas Angel
So here we are. All the gold canvaswork completed, the Angel outlined in different weights of thread, given tightly curled hair in French Knots, and now ready for however I work out how to mount her and turn her into something pleasing, and useful to decorate the house next Christmas.
I haven’t given the Angel a face, and I don’t think I will. It’s distressingly easy for “sweet” or “joyful” to become “disturbingly weird” with faces, especially when there is so little space, and relatively few stitches to manoevre with. If I experience an inspiration, I’ll reconsider, at least until I’ve mounted her. At the moment I’m looking for a sufficiently tall and wide cardboard tube that I can cut in half. Alternatively, I need to be very clever indeed about my card engineering…
It really only took as long as it did – it was begun in 2015 – largely because there was a lot of background, and it was remarkably tricky to find a rhythm to the pattern. Once I did so, it became much easier, and fairly romped away. Before that time, it spent a considerable period hidden away because – not having found the rhythm – it just made me grumpy to look at it!
If you have been watching the videos, you will know how the Angel has been going, but it’s sometimes helpful to see things straight-on, which my videoing set up doesn’t achieve.
I got to the bottom edge and felt very pleased with myself – only to discover that not only was the top edge not done, but working the pattern in the other direction is slightly trickier than you might expect! It only slowed me down by a week or so, so not too serious… The next decision was about how to edge the angel, which edges, and with what. I’ve gone for a mixture of threads and cords so far, making different choices depending upon the sort of edge and how emphatic I want it to be.
Yes, I know I haven’t done the hair yet! I’m still not sure how, and I want all the gold done first, so I know what the hair has to deal with.
At the moment I have tacking stitches in place for the wing patterns, while I stare and try to decide which I want to do.
And while we all consider that, I can report that Episode 47 of SlowTV Stitchery is now live, in which we return to the Amarna Family Group to add some details, recollect the working of the Colossus of Akhenaten, and discuss needle choice and other technical aspects of the additional details.
You may recall that a very long time ago I listed some projects I wanted to work on this year, prompted by Meredithe at Pomegranate and Chintz and Anne at Frayed At The Edge. Mereditithe’s most recent post for the challenge is here.
Then the Head of Nefertiti swept into my head and my hands and took almost all my brain power and stitching time, and Nothing Happened.
Well, something has now happened. I’ve had the Christmas Angel sitting in the corner of the living room waiting to be noticed, and a little while ago, I got to a natural Stop and Think point with my other projects.
So I have made a start on the background. I’m using metallic machine thread, two strands for the rough, textured threads in the centre of each cell, and three strands, one of each of three shades for the framework. It’s beyond fiddly and flyaway, and I’ve even bought some Thread Heaven to see whether it helps (a bit, maybe not quite as much as I hoped).
All that said, I think it is going to look rather splendid when it is finished. The idea is that it should be somewhat reminiscent of an icon painted on gold leaf. Some of them have a sort of engraved “diaper pattern” effect, and I hope that the diamond flame bargello pattern will do the job.
Rather than being stitched in time for Christmas, I found myself stitching the Christmas Angel over Christmas. About halfway through the stitching, I also coloured in the hair with brown pen. It helps keep the head distinct from the background and the wings, and somehow pulled the whole thing into focus.
My invented bargello pattern of various pearl cottons, including some with a metallic twist in them, has turned out fairly well, if redder than I expected.
As a result, I chose to stitch the shoulder cape in greens. There are two variants here – green with a gold thread and green with a bright green thread. I’ve been using the green and gold as the striped “framework” for the Cape, so I simply used the green and green for the spots. The shoulder cape will be outlined to allow for a bit more shaping, using couched gold thread, but that’s one of the last elements of the design.
The next challenge was to decide how to work the wings. I started off wanting to create some sort of strong patterning, just with the stitches, but in the end I realised that, as the background is going to be strongly patterned, and the cape is so striking, the eye will need somewhere to rest.
So, plain brick stitch it is, although in another of those glitter-twisted pearl cottons, which are quite ridiculously tender and tricksy to stitch with, at least on this canvas. Even Gilt Sylke Twist and Gold Wyre seem robust by comparison!
While I am still trying to work out how to do the Chorus of Angels, I’ve decided to work a single Angel from the Chorus in an entirely different medium – needlepoint. The original idea was to have it done by Christmas, but I’m becoming aware that that isn’t very likely now.
Once I’d made that decision I had a lot of fun playing with bargello patterns and trying to choose something suitable. I’m using a fine canvas – 18 count, I think, although as it came, unlabeled, in among that collection of supplies that included several frames, I’m not sure. It’s full of size and is going to be rather a trial to stitch, I fear.
I’ve decided to use the gold pattern on the far left (slightly altered) for the background, to give an effect a little like the patterned gold background of an icon. The lines of this panel are so simple that I can afford to use some quite complicated patterns, I think.
In the end I settled on the green and red spots in the upper middle for the cape, although choosing the colours hasn’t been quite straightforward. The wings are still puzzling me.
Since I have decided on a gold background for the angel, I decided to paint the background canvas gold as well. That will help to boost any thin coverage.
I’ve worked the gown underneath the cape very simply, in cream brick stitch, and the face and hands using gold tent stitch. None of the variants of flesh colour seemed right, and the gold does at least belong in the design.