A Source of Inspiration (1)

Teacloth by Grandmama
Teacloth by Grandmama

You might recognise some of the motifs on this teacloth..

Grandmama worked it, we think during the War, and it involves some motifs I used for the Coat of Many Colours.

In fact, even if I don’t use the exact motif, this teacloth, and a tablecloth (a sort of extended Director’s Cut!) are frequently the first places I look for inspiration when I am trying to put together a design for something stylised but floral. I suspect Grandmama would be laughing like a drain, as the family puts it, at the mere idea of being an inspiration all these years later!

Two leaves detail
Two leaves detail

I’ve also learned an even greater respect for textile and embroidery historians, examining and cataloguing design and stitch use over the years. It’s all too easy to assume, complacently, that one’s first assessment of a stitch was correct, and I learnt when I looked at this photo that I was definitely wrong about the second of these two leaves. It might be Wheatear, but I suspect I will have to look at the back to be sure.

And I’m far from convinced that Grandmama didn’t simply make up the other one as she went along. It’s a whipped or wrapped Something, but it looks like a more complex composite stitch to me…

Needlelace variations
Needlelace variations

Whipped Spiders Web Wheel as a needlelace stitch, a sort of floral motif of needlelace, and a pair of leaves in the top left that I thought for a moment should have been cut away. However, looking more closely (aren’t smartphone cameras really useful on occasion!), I see that the edging isn’t buttonhole, but chain, so, no.

And that pair of leaves in the bottom left? They’ve been puzzling me for a while. The stitch looks a little as though it’s a whipped or wrapped stitch. Maybe stem stitch worked over foundation stitches?

Gabrielle, the Christmas Angel – Part Two

And now, the Finale…

Gabrielle's Wings - first stage
Gabrielle’s Wings – first stage

“Angels need wings.  I have never made big wings before, only gauzy ones, so these grew a bit like Topsy! I had, fortuitously, a ball of crochet cotton which exactly matched Gabrielle’s dress, but I had already used crochet to make the lace on the overdress. Needlelace seemed an option if I could find a suitable former to hand.  Wire proved to be too thin, and the thread slipped about, so in the end I made a frame from one strand of the plastic coated wire of electric cable.  Yes, I know you can buy purpose made formers but I wanted to do it now.

Sequins, crystals, and wire support
Sequins, crystals, and wire support

After drawing the shape on heavy card, and arriving at a good shape was an interesting exercise in its own right, I couched on the wire at widely spaced intervals, then covered the wire and its plastic coat in blanket stitch using my turquoise crochet cotton. Not only did this cover the wire but it provided a anchor for the needlelace itself. I used pea stitch at first then increased the number of loops in each group first to five and then to seven to add “weight” towards the lower edge. I hadn’t provided a former across that edge as I didn’t want it to be rigid, but needlelace requires just such an edge! A single thread helped a bit but a piece of applied crotchet finally did the trick.

She looked balanced, if a bit subfusc for Christmas, so I added sequins, left over from one of Rachel’s childhood projects, mainly cup-shaped but the lower ones are long ovals to suggest pinions. Again, the colours, turquoise and silver, were a perfect match.  Some people have all the luck.  Rachel added crystals to increase the “bling”.  The halo is a cardboard former covered with cloth of gold.  I used the gathered side to suggest an aura of radiating holiness and backstitched a banner “Gloria in excelsis Deo” in red on cloth of gold, too.”

Gloria In Excelsis Deo
Gloria In Excelsis Deo

We timed our photography just right, too – the last sunny day of Autumn, before the weather turned thoroughly nasty on us…

Outside, hanging from a fir branch in the garden, Gabrielle made a remarkably effective member of the heavenly choir.


A Needlelace Embellished Blouse

I must have worked the Needlelace Embellished Blouse when I was sixteen or seventeen – probably it was about the third or fourth project that I did, ever. Once I’d got hooked on embroidery – which happened over a piece that I’ve yet to show you, partly because I’m not sure where it’s hidden itself  – I went from technique to technique and project to project almost without drawing breath!

I wanted something “Floral-inspired but modern”, I remember, so my mother suggested a pentagon for a flower and triangles for leaves. Thus:

Geometric Floral
The Geometric Floral we designed for my Needlelace Embellished Blouse

We divided the pentagon into triangles, because I wanted to use three different needlelace stitches (and also because it would be more interesting that way), and transferred it to a boat-necked summer top with a V at the back.


Needlelace Blouse
Needlelace Blouse

It’s hardly surprising I gave needlelace a try – both Grandmama and my mother had worked needlelace embellished table cloths, so it was in the air, so to speak. It’s also not surprising that I didn’t attempt another tablecloth.  Even then I knew that I didn’t have the patience for that size of project!

Needlelace Close Up
Needlelace Close Up

The triangles forming the flower I worked either in Pea Stitch or Corded Single Brussels Stitch, and the “leaves” were Corded Point d’Espagne. There’s a Needlelace Tutorial starting here on a lacemakers’ website for those who are interested. Then I buttonholed the edges (the wrong way round, I think, now I look at the photo again!) and, with much trepidation, cut away the fabric at the back.

And it worked! I wore the blouse quite a lot for a few years, and now I’ve found it again I suspect I’ll be wearing it some more – although not this year <shiver>!

Grandmama’s Embroidery – Two

Grandmama's Tea Cloth
Grandmama's Tea Cloth in needle lace and filet crochet

Grandmama made a lovely linen tablecloth in white-on-white needlelace, but as I couldn’t get any sort of photograph of it, I photographed this small teacloth in ecru shades instead. I think this might have been a practice piece, not in the sense of learning a new skill so much as in the sense of trying it to see whether she enjoyed the technique.  I now wonder – in the light of “Stitching for Victory”  – whether this was another wartime project, and the various shades of ecru were all that was available.

It looks prettier in real life than in the photograph. I used some of the motifs as inspiration when I designed the Jacobean Firescreen.

Grandmama worked the filet crochet border as well. We have a couple of teacloths with Filet crochet edgings she worked using Mary Card designs. There’s also a crochet lace teacloth that was going to be a bedspread – it is the only occasion that any of us know of, in which Grandmama failed to finish what she started! I’ll try to find the photo of that and scan it to put it up another time.

Scattered around the family, there are also examples of canvaswork,  stitched rugs (two quite large ones and a small mat, which is in our hallway), tablecloths, napkins and bedlinen, and a footstool (two footstools, actually!). Not to mention assorted knitwear (I still have, and wear with pride and glee, an intarsia sweater she knitted for me when I was eighteen), and some crocheted work.

She also tried a sort of pressed metalwork, drying flowers and foliage, and Heaven knows what else.

I’ve been told I “collect skills”. Where do you think I inherited that from?