After a morning’s stitching, I realised that all the details I had added were on the wrong side of the felt base, with the result that the wings were facing the wrong direction for the composition.
So here you see a start on the second pair of wings. I learnt from the first attempt, and the difficulties I’d had around the edges, and left the wings as part of the fabric as I worked them, using rows of fly stitches for the pinions.
After working over the wings with the embellisher to reduce the potential for stitches unravelling, I cut them out, with as much precision as I could. But I’m really not happy with them.
They are dark, heavy and clunky, too densely stitched, and much too sombrely coloured. No bird will soar on wings like this.
So, the third attempt begins. I used a fragment of felt as the leading edge of the wings and then added lengths of fibre. I’m outlining the wing shapes using a single needlefelting needle, and I’ll try to creep up on more successful wings, learning from all my past mistakes.
I was leafing through my image sources, looking for some relief from the concentration of Akhenaten, when a fragment of fresco caught my eye. I’d not really registered it before, but it’s full of vitality, and I thought it might give scope for more Fun With Felt.
I may simplify – or complicate – my ideas as I go along, but since I wanted to include the whole cat, the first thing I did was spend some time looking at pictures of cats on the internet (which just goes to show that one can find a research excuse for almost anything!) to see whether I could draft some suitable hindquarters to replace what my source didn’t show.
I’m sure my cat isn’t quite the way the Egyptians rendered him, but as ever, I’m aiming at a “reinterpretation” or “realisation”, not a photographic rendering. As it was, I had to tug at my felt and give thanks that there’s no grain in non-wovens to get it to fit at all. Especially since I had decided to make use of the leftovers of stitching for the cushions for the Two Princesses to give me a head start on his nose.
I began with a few lines of stitching, and a golden eye, and then needle-felted fragments of felt and untwisted plies of thread onto his neck and chest (for some reason I feel as though the cat is a very young boy cat!).
The next thing to do was to do an initial layer of stitching all over my cat. I’ve just used simple straight stitches, to echo both the cat’s fur and the simple brush strokes of the ancient Egyptian painter. When the cat is needle-felted onto the eventual background, that will blur the stitches into the felt, and created a softer effect.
I had to draft a body for the bird as well. This might be less successful, but I think it will do..