Category: General Posts
An Egyptological Outing..
Just because I have completed my Egyptological Embroideries (possibly not for ever…!) and have moved on to the early Roman period (Placidus) and the Early Medieval period (Aethelflaed), it should not be taken to mean that my interest in Egyptology has waned..
In fact, I heard of this Immersive experience from Alan Murphy, who helped me turn my manuscript and pictures in to a book, on behalf of the Embroiderers Guild. He and his wife saw the exhibition – Experience? – in London, and loved it. But they were there on the last day, and the next venue was to be the Glasgow Exhibition Campus. Well, that’s ok, there’s a train up the west coast that goes to Glasgow, and the Exhibition Campus has its own station on the local rail network. So off I went…
Like most of the major travelling exhibitions of this type, it began with a sequence of huge information boards, establishing context and ensuring that everyone has some similar understanding of the subject of the exhibition. In this case, that covered a canter through the history of Ancient Egypt, and the Eighteenth Dynasty in particular, and then a further exposition of Howard Carter’s career. Then, guarded by a spectacularly moody six-foot animated Anubis, pacing between a pair of mirrors, there were two rooms of reproductions of a variety of finds from Tutankhamun’s tomb, as well as some of the drawing and reports made by Carter at the time. All interesting, nothing I’ve not seen before in one or other exhibition over the last twenty years.
However, the finds were not really the point of this exhibition. That came from a huge hall on the walls and floor of which were projected a whole series of images and realisations, some relating to the excavation, some to the buildings and geography of Egypt, and some to Tutankhamun hiself.
These were surprisingly magical, in spite of the occasionally rather overblown script and very tremendous music, and I happily sat through it all twice, before moving on to the next section, which I can’t show you, because it involved Virtual Reality headsets. Again, these mixed realisations of ancient Egyptian belief – the journey of the pharoah’s soul from his tomb to his judgment before the gods – with a tour of the camp where the Egyptologists were based.
Now, I’m not automatically an enthusiast for technological presentations, because it can be very hard to balance the technology and the story. The idea of the immersion in this created world is wonderful, but it’s easy to jolt the viewer out of it with anything slightly out of whack. By and large, that didn’t happen to me. I was enchanted by much of what I saw, entertained by almost all of it, and delighted to find myself able to raise a lantern in my hand as I toured the excavators’ camp.
And it gave me some more sources for the Lotus Coat, when I get around it, so you will probably see more of my Pictures From The Exhibition…
Exhibition – For Worship and Glory II
A few weeks ago I went to see the Royal School of Needlework Exhibition “For Worship and Glory”, in its second incarnation, in the Lady Chapel in Ely. The centrepiece of the exhibition was a series of embroideries inspired by the Litany of Loreto, donated to the RSN when Mayfield Convent in Surrey was closed during the 1970s. Since I saw the first version of the exhibition a few years ago, it has been discovered that the designs were created by an Italian graphic designer, Ezio Anichini, at the beginning of the 20th Century.
The panels are in a very restricted palette using silk floss and filoselle – browns and golds, some black, and a very tiny amount of blue, and although the stitches are described as “mostly long and short”, with the addition of stem stitch, split stitch and straight stitches, the panels didn’t have the heaviness I associate with long and short stitch. On the contrary, my primary impression was to be astonished and impressed by the manner in which the works were clearly embroideries and yet maintained a kinship with the drawn design. Look at the bark on this picture, the sketchy and textural feel to it, contrasting with the almost naturalistic rendering of the briars.
Even more strikingly – and my phone camera, in spite of the wonderful light in Ely’s Lady Chapel, really wasn’t up to the task – look at the rendering of the folds of fabric here. The stitches are just straight stitches, using carefully chosen shades and thicknesses of thread, at carefully judged spacings and angles, and yet the impression of flowing folds in fabric is beautifully realized.
I was very glad I’d thought to take my lorgnettes, because there were so many enchantingly embodied ideas that I wanted to examine!
A Happy Christmas To You All
An adventure on the (distant) horizon
I have been asked to plan a week of embroidery next July for The Watermill, Posara, a rather wonderful place in Tuscany that hosts painting and knitting holidays among other things. Bill and Lois Breckon, who run The Watermill, have been gradually restoring and improving it over the past thirty years or so, and they have a gift for unobtrusive excellence of organisation I’ve never seen bettered.
At the moment, we are thinking of running an embroidery week along the lines of the knitting courses, with studio time alternating with the excursions and fabulous lunches, and I have been thinking quite hard about what might make for an interesting week.
The painting classes are “plein air”, so involve setting up somewhere and painting all morning, followed by a delicious lunch (when I painted this watercolour I had my back to the trattoria where we had lunch) and painting some more in the afternoon. Apparently the knitters sometimes set themselves up somewhere and Knit In Public as well – the locals in all the destinations being so accustomed to artists and tourists that they barely even notice.
My idea for the embroidery week is to go adventuring Beyond Long And Short Stitch, to play with the ideas that are my first love in embroidery, the use of the ornamental stitches and varied threads to recall texture and pattern, to bring pictures to life without too much detail: “Impressionism in stitches”, if you will.
So I’ve started to plan Impressionistic stitcheries inspired by The Watermill and the excursions, which can be put together into a Watermill Sampler. The first (this is a detail) is inspired by the stands of bamboo which are merrily naturalising themselves up and down the valley, and by a recent post on Queenie’s Needlework blog about a stitch she calls “Danish Knotted Cross Stitch” (since the book she found it in didn’t give it a name at all!). When the stitch appeared I was already thinking about the Bambouserie, as they call it, and it occurred to me that it might make an effective stitch for the joint in the bamboo stalks – and sure enough, it does!
The long, rustling leaves of the bamboo are worked as clusters of long Detached Twisted Chain stitches, which I think are somehow much more evocative of the rustle than straight stitches would be. “Bambouserie” has set quite a high bar for my next “Watermill Stitchery”!
Episode 65 of SlowTV Stitchery is now live, in which we make an early start to avoid Noises Off, and thoughts of the sky as a sampler of graduating colour lead to a reconsideration of the idea for canvaswork cushions inspired by the Ironbridge and “Coalbrookdale by Night”.
Who remembers Blogging Awards?
Blogging has changed quite a bit since I started years ago, and blogging awards are among the things which have fallen by the wayside as the blogging world has fragmented into blogging, vlogging, and whatever the generic term is for instagram, pixelfed and the like. However, just in the last couple of weeks, an Outstanding Blogger has been circulating, and Alex from UnderATopazSky nominated me among others. So, on to the questions!
What would my perfect holiday be?
Our family isn’t good at holidays. I recall a week’s holiday on Anglesey in my teens during which we came home in the middle so my Dad could make a phone call, and I never took to the idea of working on a tan. Resorts, beaches – definitely not. However, Mam and I have been on a couple of painting holidays, which have involved painting tuition and lots of lovely food, and we have both been rather taken with them.
But then again, I’ve been rereading “The King In The North” by Max Adams, and thinking that pony trekking the trail from Bamburgh to Yeavering in the company of an archaeologist or a historian of fourth to eighth century Northumbria might be a really fascinating way to spend a day or so…
Where is my favourite place to walk?
To be honest, it’s the company that makes the walk, as far as I’m concerned. Although, now I think about it: Paris. I spent a year there when I was an undergraduate, and it feels almost as much home as home does (if you follow me). My second favourite is Lisbon, which has a very ordinary cafe which sells the best hot chocolate that I’ve ever had, and beside that – pastel de nata. If you’ve not had a pastel de nata, you don’t know what you’re missing!
What inspired me to start a blog?
I thought it might provide a sort of accountability and help me to keep at my embroidery. I already knew that I loved embroidery and that it helped me keep on an even keel, but I’d also noticed that I tended to do it after everything else, and consequently it wasn’t getting done. I thought that if I had a blog to feed (as it were), there would be an added reason to embroider. That was certainly true, but the other thing that happened was that I found there were other embroiderers out there. Before I started blogging, the only people I knew who embroidered or were interested in embroidery were all related to me. That’s not true any more!
What did I miss most during lockdown?
Concerts. I’ve enjoyed several online ones, but it just isn’t the same, especially in the case of ensembles I’ve known for years and who know me. I grew up going to concerts, in fact I’ve been going to concerts of the Allegri String Quartet since I was eleven (my Dad was particularly fond of Beethoven and Schubert), and I know that being an audience member isn’t an idle thing, it is something which contributes to the success of a concert almost as much as the musicians. I’ve missed being an active audience member, holding one end of the golden cord of concentration that stretches between musician and listener. And I’ve been worrying about my musician friends, deprived at once of livelihood and soul-comforting passion.
What was the last book I read?
I read and reread constantly, so by the time you read this I’ll be on to something else. One bonus of last year was two of the best books I’ve read in the last several years – “Reynard the Fox” by Anne Louise Avery and “Kindred” by Rebecca Wragg Sykes. I mentioned them both in passing on SlowTV Stitchery episodes while I was reading them.
Another one – which I have also mentioned – is the Georgette Heyer ReadAlong on Twitter. We’re on “The Tollgate” at the moment, and discussions have included some fairly serious social history, a comparison of pikelets and muffins, and the Heyer/Pratchett crossover moment none of us saw coming..
But I couldn’t fail to remind you of “Neferiti Lived Here”, could I – the book that launched a decade of embroidery projects!
And now on to the nominations:
Queenie’s Needlework
Addison Embroidery At The Vicarage
Only if you want to, of course!
And now: Slow TV Stitchery Episode 61 is live, in which I continue to make progress on Tynemouth Priory, while musing on Oswald of Northumbria and his times..
A Happy Christmas to all!
So What Next for SlowTV Stitchery?
The next episode of SlowTV Stitchery is now live – Episode 30 – in which the cornering plans are discussed, and the future of SlowTV Stitchery is considered, while the second corner is completed.
Since it looks very much as though we’re all going to be spending a lot of time at home this winter, I think I’ll continue with SlowTV Stitchery, even when the Amarna Family Group is finished. So my first thought is to work on finishing this canvaswork angel, which I started some years ago, galloped through the actual angel, and then ground to a shuddering halt on the background when I got sidetracked by an inspiration for one of the Dreams of Amarna projects.
If that doesn’t keep me quiet for long enough, I’ve been working on a sky for the first version of the North Shields headland that I worked for Leaving The Tyne. This is another piece that simply needs me to sit down and work at it, but although it’s small, it’s fiddly to hold the frame and stitch at the same time. Putting it on my stand and using my magnifying light will help me to settle down to it.
But first, the Angel. At least, until I run out of metallic threads!
Progress on a project long in abeyance
You may recall this tablecloth, which I won in a job lot of things in an auction on eBay, a long time ago. I regarded it as my “traveling project” for a while, but didn’t travel much, or when I got there, found I couldn’t settle to it, and it’s been lingering and hanging over my head rather. It may well be that the current situation will give me the opportunity to get it finished. It will make a change from the details of the Amarna Family Group!
So, since I’d forgotten what I’d planned (or if I’d planned!), I laid it out on the floor and played around with skeins of cotton, to see what I could come up with.
The way I’ve worked on the tablecloth is that as I’ve what to do with each motif, I’ve worked each instance, and that way the whole tablecloth advances at once.
The Basque Stitch of these leaves is rather more spaced out than in the previous appearance of that stitch in the tablecloth – spacing, as well as scale, plays a part in altering the appearance and emphasis of a stitch.
Coral Stitch is nice and simple. Such a nice rest…
Yes, I know the concept of or nué is simple, but the execution isn’t, believe me!
And, speaking of or nué, Episode 12 of SlowTVStitchery is up! Do go and have a quiet half hour with me…
State of the Tablecloth – 2
I like Basque Stitch – it has a family resemblance to blanket stitch, and recalls chain stitch as well, so it’s a good stitch to pull together a piece that includes both.
The inner petals are closed herringbone stitch. I’m determined to nail this stitch one of these days, but this is not that day. It was a constant battle, and it looks a bit raggy.
Although not raggy enough for me to unpick it!
I unpicked and tried several variations for this one, and I’m still not sure of it.
The centre is a spiral of stem stitch, and the blue is the one from the tulip in the previous post.
The outer petals are in fishbone stitch, and the inner petals are in another blanket stitch variation. I think I may have got this one from one of Edith John’s books, and I’m pretty sure it will look much better once the transfer has been washed off. If not, I may have to re-stitch yet again!
I think I suggested these might be harebells, or something similar. They are worked in Vandyke stitch, and although they do create a strong effect, it may be a bit busy.
Whatever else it is, this will be a wildly colourful tablecloth!