The Faience Necklace – still thinking…

Necklace Photo (Copyright The Egypt Exploration Society)
Faience Necklace (Copyright The Egypt Exploration Society)

After her discovery of the piece of tile that started it all, the first find that Mary Chubb describes is a faience necklace, discovered by the team then in Egypt, and written up in the Director’s Report which she has to disentangle and re-type legibly (remember, in the 1920s, typing wasn’t a skill that everyone had had to develop). It sounds completely enchanting, and yet I’m struggling to bring it to life.

In fact I last wrote about it in 2015, and I’m still wrestling with ways to represent it! I’ve already abandoned any idea of working a portrait of it (as it were). As you can see from the black and white photo, it’s crammed with faience beads, and it’s hard to imagine making a good stitchable design of it. So I’ve cut out some watercoloured beads, and pushed them around, taking photos as I go. Back to primary school!

Then another suggestion came in (thank you @IndiaGraceDsgns ), to think about mandalas…

And now I’m thinking about “samplers” of beads which still recall the way these broad collars and necklaces are sometimes displayed in museums.

I’m planning on using flat silks, when I finally pick one (comments, anyone?), and of course, the next question will be: what colour fabric I will be stitching it on?

The Faience Necklace

Necklace Photo (Copyright The Egypt Exploration Society)
Faience Necklace
(Copyright The Egypt Exploration Society)

After Mary Chubb had her moment of epiphany with the tile fragment I reinvented for The Fragment of Tile That Started It All in that Bloomsbury basement, she returned to the office, and her first task was to re-type a recently-arrived Director’s report, since it arrived in no state for publication (“Typed on camelback in a sandstorm“, as she described it).

The first item described in that (shockingly mis-typed) report is a necklace of faience, made using rows and rows of faience shapes in different colours, shaped to depict fruits, leaves, and flowers.

Watercolours of the Faience shapes
Watercolours of the Faience shapes

Naturally, I want to embroider a piece that will recall that necklace. Equally, as you can see in the photograph, if I were to attempt to embroider the whole thing, it would either have to be huge, or it will risk being tiny, cramped, and not doing justice to the enchantment she describes.

More Watercolours of the Faience shapes
More Watercolours of the Faience shapes

So I have decided that I am going to create a design that shows only a segment of the necklace. So far that has been hard to do.

I have tried several draftings and redraftings, and these watercolour fragments are the beginnings of the fourth (or is it the fifth?) attempt to devise something reasonable. I am trying to learn the shapes of the various elements – lotus petals, bunches of grapes, cornflowers, dates, palm leaves.

What happens next is for another time. I may well be back once more to primary school, cutting out and sticking down pieces of paper.

I’m so keen to  use all my shiniest threads to depict the faience that I’m becoming very short-tempered with myself…!