Each time I decide how to do a particular element, I do all four appearances. I decided on this very early on, because I knew that working a whole side and then copying it three times would drive me absolutely mad!
Raised fishbone stitch creates a nicely embossed effect, providing a good contrast with all the open stitches I’ve used. It requires a bit of concentration – this is a little raggier than I’d like – but at this point, I want the wretched tablecloth done, so I’m likely to just move on..
I’ve been looking at other embroidery styles of late – one can’t be wallowing in gold all the time, and one of these days I will be able to think of doing something else – and I’ve been reminded of just how effective groupings of blanket stitch or buttonhole stitch can be. This is the simplest variant I could think of, but I must remember that simple stitches like blanket stitch offer endless possibilities for variation..
One of the attractions of surface embroidery is the possibility for stitches to evolve themselves into being. I’m calling this one “Feathered Zig Zag Chain Stitch”. I can’t believe I’ve invented it, but neither can I remember having seen it before, and I think it works rather well. It certainly flowed familiarly off the needle, like an old friend.
The photograph has reminded me, however, that I need to finish whipping my chain stitch stems!
And new in SlowTVStitchery, Episode Thirteen is now up. In which, at long last, a Decision is made….
You may recall this tablecloth, which I won in a job lot of things in an auction on eBay, a long time ago. I regarded it as my “traveling project” for a while, but didn’t travel much, or when I got there, found I couldn’t settle to it, and it’s been lingering and hanging over my head rather. It may well be that the current situation will give me the opportunity to get it finished. It will make a change from the details of the Amarna Family Group!
So, since I’d forgotten what I’d planned (or if I’d planned!), I laid it out on the floor and played around with skeins of cotton, to see what I could come up with.
The way I’ve worked on the tablecloth is that as I’ve what to do with each motif, I’ve worked each instance, and that way the whole tablecloth advances at once.
The Basque Stitch of these leaves is rather more spaced out than in the previous appearance of that stitch in the tablecloth – spacing, as well as scale, plays a part in altering the appearance and emphasis of a stitch.
Coral Stitch is nice and simple. Such a nice rest…
Yes, I know the concept of or nué is simple, but the execution isn’t, believe me!
And, speaking of or nué, Episode 12 of SlowTVStitchery is up! Do go across to Vimeo and have a quiet half hour with me…
I like Basque Stitch – it has a family resemblance to blanket stitch, and recalls chain stitch as well, so it’s a good stitch to pull together a piece that includes both.
The inner petals are closed herringbone stitch. I’m determined to nail this stitch one of these days, but this is not that day. It was a constant battle, and it looks a bit raggy.
Although not raggy enough for me to unpick it!
I unpicked and tried several variations for this one, and I’m still not sure of it.
The centre is a spiral of stem stitch, and the blue is the one from the tulip in the previous post.
The outer petals are in fishbone stitch, and the inner petals are in another blanket stitch variation. I think I may have got this one from one of Edith John’s books, and I’m pretty sure it will look much better once the transfer has been washed off. If not, I may have to re-stitch yet again!
I think I suggested these might be harebells, or something similar. They are worked in Vandyke stitch, and although they do create a strong effect, it may be a bit busy.
Whatever else it is, this will be a wildly colourful tablecloth!
That transfer I’ve been working on wants to be finished, and I’m pretty much at the stage of thinking about the leaves, so just so we all know where it’s up to, I’m doing a State of the Tablecloth post.
So the petals of the purple flower are in nested fly stitches, the centre is a sort of looping interlace, and the little buds are spider’s wheels. I packed the spider’s wheels quite tightly, to raise them up and increase the texture – I know that raised elements on a tablecloth can be a problem, but it’s no problem on the falling part!
The small starflower is the only element that I’ve done as the instructions that came with the tablecloth suggested – satin stitch.
The ruffly flower – do you think it might be a crysanthemum? – seemed a perfect opportunity for buttonhole stitch fans. I might decide to whip the edges to pull out the colour progression a bit more, but we’ll see what the flower wants when the leaves are on.
Double chain stitch is easily confused with closed feather stitch, and in this case I complicated my life considerably because I changed the breadth of the stitch to match the petals of the flower. I rather like the effect, and although I said it was a complication, the actual stitching flowed quite nicely.
And rather than give you a Long Read, look out for episode 2…