Browsing the archives for the Dreams of Amarna category

Working on Nefertiti’s Cartouche – 3

I did a lot of staring balefully. I picked out a whole selection of threads, looked at them, and dismissed them. Partly, it must be said, because I had decided, after all, to use Plaited Braid Stitch, and that uses a lot of thread. I wasn’t sure that I even had enough of some of […]

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Working on Nefertiti’s Cartouche – 2

After I’d finished the spiral trellis stitch circle, I had some doubts about it. Maybe it wasn’t strong enough, maybe the texture clouded the impression of the shape, maybe it even killed the colour. I’ve decided – with continuing reservations! – to keep it for now. I like the effect, and the knotted texture contrasts […]

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Working on Nefertiti’s Cartouche – 1

I need to learn to believe in myself more. As I was stitching this little seated figure, I was really very doubtful about it. I was twisting the sandy silk filament for every stitch, and it was being difficult, and looking rather odd and clunky. Then I added the wig, in a variegated – and […]

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The Cartouche of Nefertiti

Akhenaten and his Great Royal Wife Nefertiti are prominent characters in Mary Chubb’s imaginative response to the city they built, so I feel they need to appear more than once in the embroidery as well. The trick is to balance the story of the archaeology and the archaeologists with the story of the ancient inhabitants.. […]

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The Faience Necklace

After Mary Chubb had her moment of epiphany with the tile fragment I reinvented for The Fragment of Tile That Started It All in that Bloomsbury basement, she returned to the office, and her first task was to re-type a recently-arrived Director’s report, since it arrived in no state for publication (“Typed on camelback in […]

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The opening salvo

I did study the techniques of dyeing and printing during my degree course, but that was industrial printing and dyeing, on a vast scale and using chemical dyes. Using natural dyes and working on a smaller scale will be a whole new adventure. It isn’t as consistent, but then that is the charm of it. […]

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Planning Adventures in Dyeing…

When I was working on my Master’s Degree, I came across this reference to dyeing in Egypt, as described by Pliny the Elder in his “Natural History”: In Egypt, too, they employ a very remarkable process for the colouring of tissues. After pressing the material, which is white at first, they saturate it, not with […]

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So, where had I got to…?

Once I’d finished the View of the Excavation, I thought it would be a good idea to see whether the whole Dreams of Amarna project was even remotely on the right track, so I got some mount board cut, and taped the Map and the Excavation around their boards, the two Crests around theirs, and […]

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The View of the Excavation Finished…

The last group took a lot of stitching, restitching, unpicking and restitching. I couldn’t seem to get any of it right, and there are one or two bits I’m still not 100% sure about, even now… The pale figure, bending over beside the little flag is in Spanish Knotted Feather Stitch, and the nearer bending […]

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Still More on the View of the Excavation

As I got nearer the foreground figures, I tried to pick broader stitches, or at least stitches that were a bit more emphatic. This group was great fun to do, starting with the Gufti with his staff of office (Portuguese Knotted Stem!). The Gufti’s robe is Feather stitch, as are some of the twists of […]

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