Before Christmas, but still, thanks to an arm injury earlier in the year, very much later than I had hoped (remember the original report, on the first photography session, was in April!), I took the remaining Amarna pieces to the wonderful Bernard Rose for their portraits to be taken.
In fact, we had a great time, because although it’s fair to say I was delegating everything about the photography to Bernard, he took a very collaborative attitude. He was interested in the stories I was trying to tell, and the impressions I was trying to convey, and that meant that, rather than just going “point and shoot” (albeit with better equipment and lighting!), he put great effort into bringing the best out of the various pieces.
Although, halfway through the morning, as he tried to develop a structure from which we could hang one of the overlays, he did comment on the level of puzzle-solving being demanded of him, which is apparently not entirely usual with other clients!
It’s a good thing that my arm injury is reduced to a mere occasional twinge, though – there was quite a lot of heaving things around, and the two main panels, now consisting in each case of four wooden frames screwed to a half centimetre or more of MDF, are really quite heavy and awkward.
The mannequin belonged to him, too. The battered paintwork helped to bring out the idea of something inspired by archaeological discoveries. And the fabric drapes beautifully, in spite of the heavy embroidery, and the additional layer of the lining.
So I think all the photography is now done – although I will be writing a bit more about what I observed and learned during the two sessions.
That’s a relief!