The felted cushion fragments worked rather well, surviving the cutting out procedure so that I could start to play with the layout. Prints of the images I’d used to hand, I fiddled happily for quite a while.
This isn’t quite what I ended up with, but you can see how vividly the colours play off against one another. Very promising!
The first stage was to attach the drapery assembly to the background. This is where the experimental nature of my needlefelting may come back to bite me, because there is a risk that I have taken it too far, and that I will finish with a completely destroyed background.
However, the goldeny-mustardy-yellow wall shows through a bit, which is what I want, as that helps to make the connection with the frescoes at Amarna as they are found by archaeologists – fragile and fragmentary, only a hint of their former glory. I may have to hand-needlefelt some of those little squares, as they’re not as well attached as I would like. I don’t want them falling off at some time in the future!