The idea of using the netting is that it does not become caught up in the embellished fabric, and that it prevents bits of embellishment from becoming caught up on the needlehead and generally misbehaving.
As you can see, that sometimes doesn’t work quite as well as one might wish! Fragments can, and do, work themselves through the holes torn in the netting by the embellisher’s needles, and then jump with alacrity onto the needles, where they whizz up and down before the bemused eyes of the person operating the machine, causing no little apprehension as they do it!
There’s something else that doesn’t quite go to plan, as well. The netting does indeed become somewhat enmeshed with the felt.
As you can see, my little additions are by no means felted into the backing piece, but I’m already having to be very careful to peel off the netting, and if I had done much more with the embellisher, I might never have got the netting off at all!
I think it would be fair to say that I don’t really have anything like a real understanding of the effect of the embellisher on particular materials or combinations of materials. I’ve several more projects in mind so I’m sure my understanding will grow, but even by my standards, this is a venture into the unknown.
You can see that some of the pieces moved, and some never attached themselves at all. The pattern is distinctly higgledy-piggledy, and the elements aren’t equally firmly attached.
That said, I’ve managed to create something that has the warm red and the flashes of blue and gold, and although it isn’t the same pattern as the one in the fresco, it is certainly reminiscent of it.
I’m going to try another method entirely for a second section of drapery, and see whether that creates the effect I want.