The raised edges of the petals of this flower are produced by working one row of blanket stitch along the edge and then working detached buttonhole stitch into that. It creates a fairly subtle effect in real life, and it’s always satisfying to see small details like this appearing in kits.
You can also see in this close up that although I was beginning to get to grips with satin stitch, my Long and Short Stitch wasn’t very good.
Really not very good, in fact! The stitching on the second flower looks more like brick stitch. I think this is the only bit of the design I didn’t enjoy doing, and that’s entirely because I simply could not get to grips with Long and Short Stitch. No-one had told me to think “Long and Longer”, which is what has cracked it for me since then. Besides, working a colour change into such narrow rows is not the easiest way to tackle Long and Short stitch!
I did like the rows of stem stitch shading from dark to light that were used for the stems – in fact I used the same technique in the stems on the Piano Shawl. The detail of the end of the stem – concentric rows of stem stitch – was particularly charming.
The leaves in the bottom corner worked well, too. The openwork at the centre of the upper leaf makes a nice contrast with the rest of the design which is very densely stitched.
I did enjoy working this – even if it was finished at the speed of lightening!