Tag: Stella’s Birds


Back To Stella’s Birds

Rather mad, vaguely medieval inspired bird in coloured chalk.

The design inspired by Elizabeth Goudge’s “Gentian Hill” is continuing to give me some difficulties. The stitchery itself will be inspired by Mountmellick work, although it’s not going to be anything even close to classical Mountmellick. You didn’t think it would, did you?

Branch to support the birds. Not quite right

I was planning to use a vaguely medieval flavour for the birds, so they’ll be a bit mad, all curlicues and twiddles. The ones above are looking promising, I think. I will need to consider balancing solid stitching and line stitching, but that can wait until the design itself is settled. Keeping them mad once I start stitching may be a bit of a challenge, but we’ll see.

Another attempt at Stella's Birds, this time in fibre tip

The branches they’ll be sitting on are worse. I’ve been trying two different styles – a rectangular design, and a triangular design. Both of them look a bit clumsy, and they’re somehow unsatisfying. Granted, neither of them is the whole design, the rectangular one is lacking the birds, and the triangular one is lacking curlicues and any sense of spacing. I’ll get there in the end, but it’s going to take a while.

What I am pleased with is that I’m getting better at doing scrappy, fast, thinking-with-a-pen drawings. Even a year ago, I don’t think I’d have had the freedom I felt as I was doing these.

Which is just to tell you, it’s never too late to start on drawing – or any other skill!

, 04/11/2025. 3 Comments on Back To Stella’s Birds General Embroidery , , , ,

Stella’s Birds – more thinking about the design

Vaguely triangular design in gouache of three allegorical birds

You may recall that I said last time I mentioned the design I am trying to work out here, that it was proving very difficult to balance three birds not looking the same way, and that making them look the same way didn’t work at all.

Then it occurred to me that – obviously! – the two earlier birds would be facing towards the one that’s singing. Partly because we always turn to look where the noise is coming from, and partly because that is their aspiration.

You will notice that all of the rough designs I’m playing with here are in colour, which is not at all in keeping with my idea of using Mountmellick work. That’s because at present I want to find it easy to distinguish parts of the design. When I’m a little clearer about the shapes and their flow, I’ll start moving towards a more tonal patterning that will help me to think about stitch choice.

Another vague design, untidy and scrappy. The sizes are a bit adrift.
Again, I think the birds need to be bigger and the vine leaves smaller. But I think there's beginning to be some interesting detail in this version.

In the meantime, I am playing with shapes and layout in very vague terms.

The birds in this design are a little too much like the Twitter bird.
Again, so nice details, but energy and patterning aren't balanced well.

Eventually, I want the birds to be quite medieval and slightly mad in appearance, and I’m thinking of trying to find some suitable thread – a round, matte cotton in two or three thicknesses – in a variegated colour that will help me to create the look of carved wood. The challenge is in finding it. This is not something easily bought online with any confidence, and so many of the thread companies don’t go to the shows anymore.

, 30/05/2023. General Embroidery , , , ,

Still another idea from a book

Quick gouache sketches, inspired by medieval images, of the birds described in the text. They aren't in scale with each other.

January’s Book of the Month for the Elizabeth Goudge Bookclub on Instagram was “Gentian Hill”, and that reminded me of an episode in that book that I’ve long wanted to depict in some way. In the book, the heroine, Stella, and the Abbé visit a local church where Stella has been entranced by some carved panels and asks the Abbé to explain their significance. The carving show birds, one eating a grape, one killing a caterpiller, one with beak open in song. The Abbé explains:

Another attempt at the bird feeding on a grape, with something below that even I can't recognise!

The bird with the grape in its beak is the penitent soul of man feeding on the true vine. The bird attacking the caterpillar is the strengthened soul of man fighting evil. The singing bird is the soul that has overcome praising God. You take them in that order, Stella.

Elizabeth Goudge, Gentian Hill
More attempts at birds. These have more energy, but they still look the wrong sort of awkward.

(And, for those twitching at the non-inclusive language, Gentian Hill was written in the 1940s and set during the Napoleonic War. One of the themes of many of Elizabeth Goudge’s books is that there are many forms of struggle and many forms of service, none less than another, even if some may be less spectacular!)

Vine leaves and sketches of the birds, trying to surround the birds with bunches of grapes.

Now, as I’ve been adding final details to the Excavation, I’ve been reminded of how much I enjoy working in the hand, and I would like to devise a way to depict the images, singly or as one panel, in a way that is strongly textured, surface embroidery, that I can work in the hand as a rest from underside couching or attaching spots to border panels with invisible stitches.

A branch with vine leaves and bunches of grapes, and the three birds in different aspects. Still not balanced or successful, but it shows how I have been thinking.

So I’ve been thinking of basing the ideas and stitch choices on Mountmellick work, which is not entirely unsuitable when you consider that one of the other main characters, Zachary, is of Irish parentage, and the shapes of the birds on medieval images, because the church, of course, is a very old one.

Alas, thus far my playing with pens, paints and ideas hasn’t got me very far. It’s hard to balance three creatures that aren’t all looking the same way, and it doesn’t feel right to me to make them face the same way!

, 14/02/2023. General Embroidery , , ,