A milestone on the Gentleman’s Nightcap, and an experiment
I’ve now finished the silk work on the main sections of the Glittering Gentleman’s Nightcap. The next stage is to work the metal thread embroidery, because I want everything on this side of the fabric done before I take it off the frame, turn it over and work on the brim. In the end, I found that the last few bits went quite quickly, perhaps because I had a whole day when I did nothing else and found the stitching speeding up. It’s taken me a while to realise it, but I now think that Detached Buttonhole Stitch With Return is one of those stitches which requires “flow”, which in turn doesn’t happen if you sit down with only time to do one leaf before doing something else!
Up until now, I have tended to regard the Online University projects I have done as a sort of salutary discipline, and worked them exactly according to the instructions (something I rarely do, even when I have instructions!), but during my last visit to a stitching show, I spent some time on Jacqui Carey‘s stand, talking to her, and acquiring her books about Elizabethan Stitches and Sweet Bags. One of the stitches she found, and “reverse-engineered” is effectively the “Detached Buttonhole stitch with Return” which forms so much of the stitchery on this piece, but it incorporates a border within the method of stitching. So I thought maybe on the brim I could used this bordered stitch instead of the standard stitch.
In another departure from my usual procedure I decided to practise the stitch first, and it’s really just as well.
Perhaps because Jaqui is primarily a braid maker and not an embroiderer, it took me some time to adapt my way of thinking to make sense of her diagrams. She also shows the stitch as worked upwards, whereas I have worked downwards with this sort of stitch all my life – or at least ever since my first attempt, when I worked the Needlelace Embellished Blouse.
The fact that version one was worked on felt didn’t help, either, since the needle kept snagging it, and the felt sagged under the weight of the stitching.
So version two was worked on linen, using a mercerised cotton instead of pearl cotton. This time I think I have got to grips with the stitching and the way to create the border. The linen survived much better, but the mercerised thread kept trying to tie itself in knots!
Furthermore, try as I might to work the stitch as diagrammed – upwards and away from me – I kept turning the frame and working it sideways or downwards instead.
I probably will choose to use the stitch for at least some of the areas on the brim, but it will be interesting to see how I cope when I simply can’t turn the frame around!