This photo shows the central section, with the major felt sections in place, and the minor ones left until later. That in turn means that the colour range is not quite right, because the greeny-teal is missing.
What it does show, however, is that the disheartening spotty effect I experienced with the Piano Shawl is entirely prevented by the couched stems!
Since my blue felt was made using layers of blended wool sliver it has some slight variation of colour, which I was hoping to pull out in my stitching. That may not quite work, but at least I can try.
I also want to make the fawn leaves much more varied, so although there are several successful treatments I could choose to use in all cases, I’m going to try to be more experimental.
This photo is already out of date, because I’ve unpicked the fawn leaves once already, and I’m not entirely sure about some of the details on the large blue leaves. The light blue half-Cretan stitch may not survive to the finished garment!
There is a mid-blue knotted edging stitch on the top edge of the two outer blue leaves which I may have invented at the time, and certainly can’t reconstruct in the cold light of day. The spine of the central leaf is Square Chain, with the corners couched down with a darker thread, and the edge is closed feather stitch. There will probably be a lot of closed feather stitch – it is a useful stitch for the edges of these shapes.