While I was attaching the hull, I was also looking at my references on Stumpwork, or Raised Work. The headache that had been looming all the way through to this point was, How Shall I Do The Mast?
I tried to cover straws with thread or find narrow pieces of plastic or wood, and all of the attempts looked clunky and un-seaman-like. I thought about trying to use stitching – either satin stitch or lines of stem stitching, but in the end decided that these elements needed to be smooth and relatively featureless, whereas the stitching in the piece is entirely to create detail. When I thought a bit harder, it seemed to me that the mast and spar weren’t mere “details” and that there would be a rather jarring effect if I created them using a “detail” technique, rather as though they’d been magnified, or something like that.
In the end I decided to continue using only fabric in the piece. This meant a slightly more difficult process, as the mast and spar are narrow and need to be rounded, but it also maintains the integrity of the design as a purely fabric appliqué.
So: the mast and spar were padded with slivers of felt and covered with narrow cotton tape. This made the ends slightly tricky (the tape kept trying to fray), but provided a clean edge on either side of the spars.
I also attached the padding for the funnel to the background. Both of these needed to be attached before the entire slip for the hull and superstructure were entirely caught down, but at the same time I couldn’t be sure of the placements (wretched shrinkage!) until I had the slip in place.