Some opportunistic research for the Vision of Placidus
Shortly after I had my idea for a panel depicting the Vision of Placidus, I went to London for a lecture. The Pisanello is in The National Gallery, so after the lecture I took the opportunity, before catching the train home, to go to see the painting in real life. It turns out that St Hubert had a similar Conversion experience, so as well as the Pisanello “Vision of St Eustace” I found a fragment of an altarpiece entitled “The Conversion of St Hubert”…
I eventually tracked down the Pisanello, in the Sainsbury wing, and found it very much smaller than I expected – about A2 in size – which is much smaller than I am planning (about five foot by three foot). It was also just as dark as the reproduction I showed you in the first post about this idea. I sat down on a convenient window seat nearby, and started taking notes of the further research I need to do.
I will need picture references for
- a horse reined in from a gallop
- a stag with huge antlers
- hounds alert but not moving
- forest flora and fauna
- rocky outcrop
- suitably rich and exotic clothing for the huntsman
I also want to differentiate the vegetation from the background rather more, pull the rocky outcrop away from the background a bit more, and make the crucifix seem to grow out of the antlers rather more than it does in Pisanello’s painting.
While I was there, I sketched a very approximate idea of the space I want in the picture – the Pisanallo and the altarpiece, and the picture above, are all quite compressed and condensed, and at the moment my idea is to have much more space and “air” in the design.
When I got home I had another go, this time in pastels. Some elements of the pastel work quite well – the horse and its harness, and the crucifix between the deer’s antlers. Others are not so good – the trees in the background are too regularly spaced and too similar in shape, and, like the Pisanello, there isn’t as much space between the stag and the horse as I would like.
I need to be careful, here. If I concentrate too much on creating painted sketches, I might drive out all the stitching ideas, but at the same time, the more I think about the design, the better the chance I have of producing a panel I am happy with!