The second stage, after all those stems, is to start adding colour. I’ve started with the sleeves because they are a bit more manageable than an entire coat, and it gives me a chance to feel my way towards the colour distribution of the stitches over the felt.
The purply colours and the teal are from sheets of that lofty felt I used for the princesses, while the beigy-brown was one of my grandfather’s sweaters, found in a box looking moth-eaten and thrown in a hot wash to felt it a bit. We’re a thrifty family…
The placement of the motifs is different for each sleeve, one above and one below the elbow, and it isn’t even the same motif. Repetition is overrated!
I think I will probably settle on using feather stitch over the felt for these tiny leaves, which are scattered throughout the design.
The rest of it is going to be a riot of stitches and stitch combinations, so this will provide a moment of rest in embroidery, a moment of reassuring similarity from which the exuberance can take flight.
It will also give me something to be doing if inspiration fails for any of the motifs!
One of the things I have learnt, over the years, about working on these large projects that involves making it up as I go along, is that there needs to be something useful to do while the next bit is being mulled over – it reduces the pressure and gives space for the mind to wander over new and interesting stitch choices.