I’m continuing to think about that quotation from Pliny, and considering how I might bring it to life. In the meantime, I’m trying to develop some familiarity with small-scale dyeing, rather than the huge machinery of my course, so when I heard that The Wild Dyery, not far away, was running an evening of indigo dyeing, I decided to go along.
I found a cotton T-shirt in a charity shot, and proceeded to embroider it using every different white thread I could find. I want to see how the different threads respond, because it occurred to me that I could add to my adventures by embroidering with mordanted threads.
Ever the over-complicatrix of my own life….!
Justine, owner, tutor, and guide in our adventure, kindly hauled everyone’s pieces out of the dyebath for them. As the dyeing process with indigo is an oxidation reaction, incautious splashings in the dyebath, even drips from a piece being removed, can compromise the dyebath by removing dye from it before it has a chance to bond with fabric.
Besides, as she commented – there’s no need for everyone to leave with blue hands!
Brought home, rinsed, hand-washed and then left to dry, the T-shirt came out lighter, blue rather than turquoise, and with a few interesting discoveries made…
Working from the top down…
The herringbone stitch leaf shapes are in Anchor Marlitt, and that seems to have taken the dye nicely. I’d expect that, I think, although the thread is so glossy I might have expect it to have some finishing treatment.
The line of twisted chain stitch is in that frustrating DMC linen. I didn’t enjoy stitching with it, as it it rough, stiff and lifeless. It’s taken the dye in a rather patchy fashion, and I suspect as I wear and wash the T-shirt, the dye will wear off even more.
The next, the circle of chain stitch, is pearl cotton, and this is such a popular thread with the companies that overdye threads that I was expecting it to take the colour much more strongly.
The next photo shows that circle in full, together with the twisted chain stitch in linen thread that curved around it.
The paisley shape in stem stitch is in soft embroidery cotton, and this absolutely astonished me. I was expecting at least some signs of attachment, but there are only the faintest suggestions that the dye was able to attach to the yarn.
Cotton usually takes dyes really well – just think of how easy it is to revive an old cotton shirt with a packet of dye – and if, anything I was expecting it to be one of the darker results. As it is, I think this will wear off in short order!
The line of cable chain stitch is more the colour I was expecting from the soft cotton. It’s a tightly twisted, stiff, mercerised crochet cotton, and it seemed to swallow the dye and hang on to it.
The diamonds of romanian couching stitch are stranded cotton. That has taken the dye well, too, although there are hints that whenever the threads have crossed each other there has been a resist effect, which may show more as the T-shirt is worn.
The feather stitch is pearl cotton and the trail of seed stitch is soft cotton, and they haven’t taken the dye any better than before.
Well, that’s given me something to think about, hasn’t it!