I still believe there is a lot to do for the Dreams of Amarna, but at the same time, when I have moments when I know what I am doing and have brain power to spare, I am thinking about the Conversion of Placidus panel that I’d like to do, inspired by Elizabeth Goudge, Pisanello, and La dame a la licorne.
In fact I’ve already bought some calico for the base layer and I’m wondering how to get the design onto it in a reasonably stable but not intrusive fashion. Inktense blocks have been suggested, and when I bought some I was told that once the pigment has been washed over with water, it becomes permanent.
So I found a scrap of cotton and sketched a rather cotton-wool-ball-on-a-stick sort of tree on it, using all of the colours in my selection.
Then I painted over it with water, allowed it to dry, and ironed half of the picture.
Then the scrap went into the washing machine. I’m not expecting to do this to Placidus, by the way. It’s just that I assumed that the abrasion would be a good challenge even if the detergent wasn’t, and it will certainly be subject to abrasion when I’m making it!
As you can see, the ironing made no difference at all!
A lot of the colour has gone, but I think this is in fact enough for my purposes. Most of the panel will be applied to the calico, one way or another, so however I get the design onto the calico, it will only be a sketch map to keep me on the right track.
I do know about textile medium, by the way, but my supplier of the Inktense didn’t have any!