More on the cat, Smith

The Cat Smith, like all cats, has Standards. Whether I’ll attain comparable standards is still not certain!

I think the head is pretty much done, at least until final balancing, so now I have to move on to the body. This is the blocking-in stage, so I’m starting by looking at my image source. This particular cat looks lighter on the right hand side than the left, so I’m starting with a sort of underlayer of cretan stitches across the body.

Light fawn on the right, here, and grey on the left. What I am hoping is that after a couple of suitably tangled layers of cretan stitch, as I do the smaller markings, there will be a nicely furry effect. It’s really useful that I can see the cat through the gauze while I’m planning this!

I now realise, however, that I’ve forgotten to do poor Smith’s tail!

I also think that his white shirtfront isn’t quite big enough, but that gives me a chance to blur the edges a bit more, which will help with the furriness.

And I think the eyes need to be bigger, and maybe lighter. But, you know, the more I study my sources, the more it becomes possible to see what I need to do next.

Starting The Cat, Smith

There is, among the dramatis animalae (my thanks to Anne Louise Avery for coming up with the term!) of “The Herb of Grace”, a tabby of imposing mien, introduced by his staff as “The cat, Smith”. In my memory he gets the whole name and title in full on all occasions, so I decided to include a tabby cat looking gravely out at the viewer.

Working on gauze produces alarming effects, early on. I started with the eyes, this time. I can tweak them later, but I felt that if I had them in place it might make placement of everything else easier.

I might even be right. I think I’ve set the eyes too close, and maybe not made the ears broad enough, but he is gradually taking shape.

Everything about these animal vignettes is an exercise in learning to see, and discovering how much more there is to see on each pass. As I write this, some weeks after beginning to stitch The Cat, Smith, I find myself comparing my stitching with my source photo and spotting things I missed, or maybe mishandled, and wondering how much tweaking that gauze will take.

I don’t think the head is finished, but I felt it was time to move on to the body, all the same. I’m going to try to block everything in and then refine later, so here I’m starting with his shirt front, and as I continue I will pick what seems like either the predominant colour or the background colour, whichever seems easier, and work that.

Each layer worked into that layer will help to create colours and shadows and, I hope, the sense of air in the fur.