Mary The Pekinese again

It’s quite hard to explain what I mean by the improvisatory, painterly approach I’m using for the assorted Animal Vignettes for the Conversion of Placidus project, so since Mary the Pekinese is relatively simple compared with some of the others – mostly straight stitches, rather than the tangle of Cretan I used, for example, for the little rabbit, I thought maybe a sequence of photos was the best way to show you what happens.

In each case I’ve put the frame on top of the photo I’m using. The finer, subtler details of the fur don’t really show through the gauze, but it does give you some sense of how I am selecting my threads to capture the impression of colour and texture that I’m working from. I’m not concerning myself at all with what fibre the thread is made from – if it does what I want it to do, I’m using it.

I’m also recollecting a quotation I found, attributed to the painter Edgar Degas : “If it were not difficult, it would not be fun!”

Mary the Pekinese finished.

Worth the effort, though. I do think she’s turned out rather well!

4 Comments

  1. You have shown the power and magic of the Straight Stitch. Mary is indeed looking fine.

  2. Lin says:

    She certainly has. xx

  3. Sue Jones says:

    She’s turned out very lively, with a real sense of movement. Excellent!

  4. Alex Hall says:

    That’s worked brilliantly, from the life you’ve managed to get into her face in just a few perfectly placed stitches, to that tactile coat. Fabulous!