Aethelflaed’s Dress – going round again!

Earlier photo, showing Aethelflad on horseback, some dark lines on the dress and the back panel stitched. It's not satisfactory at all.

Just so we know where we stand…

Before I went through the reboot, I’d the back panel stitched and some dark lines in place – shadows and stitch lines. It’s not right at all. It looks unthought-through, and the drapery isn’t draping in a way that makes sense even in a medieval fashion.

So in the end I took it all out, ornate border and all, and started again.

I’ve broadened the decorative border to have two navy lines and three gold, and given it a darker background.

Closeup of a greyscale version of one of my source pictures

Then I turned one of my resource photos into greyscale, printed it out and stared at it. I’ve also stretched out the colours a bit to emphasize the lights and the darks.

So now, I want to translate what I’ve seen to the slightly different cut of Aethelflaed’s dress, and the slightly different style of Opus. That may be a bit tricky.

Close up of the restarted stitching on Aethelflaed's dress, beginning this time with the lightest colour.

First thing to do was to remove all the unhelpful darks already in place. I think I just need to start all over again!

So here is the start of starting all over again. Light at the front, quite broad, and some new highlights. I may have to think a bit more about the border, but I believe that will be easier to do as the rest of the dress comes together.

I also need to get the sleeves in. There’ll be a contrast here, the sleeves of a contrasting shift or under-dress, and that will help the image to make sense from a difference.

2 Comments

  1. Mam says:

    The deeper border looks more medieval, and a heavier weight. That will assist the drape of the skirt.

  2. Sue Jones says:

    I agree with your mother. I also think the white fabric and brilliant yellow of the goldwork markings are throwing everything out colour-wise. The shaping looks good.

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