When I came to work the bands on the “back” surface of the packing case, I felt that the slightly darker yellow silk thread was still too bright, so I worked the Bokhara Couching in two colours – the yellow as the long stitch, and the grey as the diagonal couching stitch. That shadows it nicely, I think.
I’ve only worked the trailing satin stitch edging at the back for about twice the distance I think will be visible. I believe there will be enough layers of fabric over the top, representing the clothes of the figures, that the trail won’t show through – but there is no point making life too difficult!
I want to give some suggestion of the planks making up the packing case, but the silk thread is too heavy for that purpose. Fortunately I have some stranded threads that match the silk very closely, and using one of each colour breaks it up, as does using back stitches.
I used quilter’s disappearing pen to sketch approximate planks. It disappears so quickly that sometimes I’d lost my guideline by the time I was half way across!
I used a slightly different technique on the top. I’ve laid two strands across on each plank-line, and then couched down each strand individually in a brick pattern, It creates a less spotty effect, and I am now wondering whether I should take out the backstitch and use this other technique instead.
I’ve done the trailing satin stitch on the back edge, because I am fairly sure about that, but the planking still leaves me in a quandary. Have I used the right technique? Do I need to do more, to differentiate shadow from sunlit? Dare I leave it as it is, put it in place, and add any other details later?
So I am now, once again, at the “Stare at it and think” stage.