This seems a good enough point at which to say the Circle Skirt is finished, although I may tweak and titivate further next winter.
Click on the picture to zoom in..
Some of the circles have been needlefelted, to greater and lesser extents, to help them to stay in place. Now I have my embellisher, I think that the next time I try this sort of thing, I will needlefelt very thoroughly, to try to help blend in the edges a little more. Once I have tried both ways I will feel that I am beginning to gain an understanding of how the embellisher affects the handle of the the fabric. I already know that it does, of course, but now I need to learn how to predict the effect and allow for it.
The skirt is now much more useful and wearable than it was. Unembellished, it was a strange light greyish colour that seemed just slightly “off” with everything I owned. Now, however, the burgundies, reds and greens tie in nicely with an assortment of tops, and the way the embellishment shrinks around the sides to the back helps to emphasize the kick-flare at the back.
In the right company, it’s a fabulous conversation starter, and it’s a wearable sampler as well. I’m rather looking forward to wearing it at the Knitting and Stitching Show in Harrogate in November!
I managed some really close close-ups here! This is the Crested Chain Stitch on one of the small circles on the back of the skirt, on the flaring panels.
The thread is a very ordinary stranded cotton, used straight off the skein – although as you can see, a couple of strands are making a bid for freedom, even so!
This picture also gives you a sight of the rainbow of colours involved in the tweed fabric I used for this particular circle – isn’t it lovely to see!
The trailing spiral is high up on the front of the skirt, off to one side, and it was – in spite of the order of its appearance – one of the earliest elements which trailed off the circle and onto the fabric. I thought this would turn out to be quite important, to help link the various materials and create a cohesive whole. I had to work the spiral twice because the first time it barely showed at all. I’m all for the painter’s technique of “lost and found edges”, but there has to be something to find!
The purple chain stitch is there purely to make sure of the edges. If I had already bought the embellisher, I might have simply used that, very heavily, first.
I love using rayon chainettes in this sort of experimental embellishment. As a one-time specialist in the industrial production of “novelty” yarns, I have a sentimental attachment to chainettes, chenilles, and eyelash yarns.
This particular chainette was striped, which echoed the twill weave of the tweed very nicely. It was also a real trial to stitch with – hence the simple running stitch. I simply didn’t have the energy for anything else..
I’ve recently bought myself an embellisher, and this is one of the circles I’ve used it on. The stitching is a simple blanket stitch wheel, which some small straight stitches between the spokes and French knots on the skirt fabric. The thread is wool, so I thought this one might be a good candidate. It has had the effect of making the stitches seem much more part of the tweed circle – almost drawn or painted on. In turn, that helps the French knots to seem a little more textural.
Learning to use the embellisher – and in particular, how soon to stop! – is going to prove interesting. Here you can see that there is a less fuzzy texture at the centre of this tweed circle. That section has been more heavily treated with the embellisher. This was quite deliberate, because the very free ornamentation on this skirt allows me to experiment, and one thing I would like to know is – will this change in texture be permanent, or will this fabric become fuzzy again as the skirt is worn?
In this case, I’m not sure I can even distinguish the effects of the embellisher! I couched a bouclé thread over the top of the tweed in this case, then ran the embellisher over the tweed and bouclé at random. There is extensive scope for investigation and experimentation here..
Incidentally, for those who’ve not heard of one before – an embellisher is something like a sewing machine, but it replaces the needle and thread with an assembly of barbed needle-felting needles. The barbs entangle the fibres of the fabric, creating new textures and joining the fabrics without stitching. So far I’ve only had a chance to experiment a little, but I think it might be a very useful tool when I start work on the Vision of Placidus!